지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The Korean poetic history has been heavily fond of the aesthetic and artistic avant-garde. As a result, it can fall into the danger of getting unrealistic and escapist. For the literary sense of balance, examination concerning the political avant-garde led by Kim Chiha is necessary as he has brought into focus the concrete living aspects and history of Korea. In this respect, this study aims to highlight the place of poet Kim Chiha as the central political avant-garde pole through the analysis of his life and poetic texts.
In particular, his damsi or narrative poem ‘Ojeok (Five Thieves)’ brought about one of the greatest writing troubles in the Korean literary history. Owing to the poem, he has been imprisoned, released, under house arrest, and had both a life and a death sentence. As a leader in the struggle against the President Park’s regime, he was once in the list of Amnesty International. He even developed new literary forms parodying traditional poetic forms for the revitalization of people’s rights and the instillment of people’s resistance with democratic desires. Thanks to him, people’s art was reborn in music, fine art, and dance.
In addition, his daeseol or big story (as opposed to soseol or short story) is a harmonized parody of traditional Korean pansori, folk ballads, mask drama, and popular songs. It shows such formal avant-garde elements as the humorous representation of repetition and exaggeration, the function of three-dimensional speakers, the partial independence away from organic totality, the overall negation of the established literature and resulting renewal, and the pieces of reality composed of allegory, collage, parody, and kitsch.
What’s more, his free poems in later years reveal surrealism. For example, the life philosophy of Donghak or Eastern Studies is portrayed as the fantastic unconscious flow of sudden and ambiguous images. Judging from P. B?rger’s 5 characteristics of avant-garde poems, his poetry is fully faithful and qualified. He even showed some thoughts and forms of native postmodernism.
In conclusion, poet Kim Chiha was unlike most postwar poets who failed to face the reality and adopted the lyrics of escapism and foreign word play. He deserves the title of the central pole in the political avant-garde in the Korean poetic history. He has devoted himself to the anti-dictatorship struggle by reviving traditional folk art as people’s consciousness fitting the age.
In particular, his damsi or narrative poem ‘Ojeok (Five Thieves)’ brought about one of the greatest writing troubles in the Korean literary history. Owing to the poem, he has been imprisoned, released, under house arrest, and had both a life and a death sentence. As a leader in the struggle against the President Park’s regime, he was once in the list of Amnesty International. He even developed new literary forms parodying traditional poetic forms for the revitalization of people’s rights and the instillment of people’s resistance with democratic desires. Thanks to him, people’s art was reborn in music, fine art, and dance.
In addition, his daeseol or big story (as opposed to soseol or short story) is a harmonized parody of traditional Korean pansori, folk ballads, mask drama, and popular songs. It shows such formal avant-garde elements as the humorous representation of repetition and exaggeration, the function of three-dimensional speakers, the partial independence away from organic totality, the overall negation of the established literature and resulting renewal, and the pieces of reality composed of allegory, collage, parody, and kitsch.
What’s more, his free poems in later years reveal surrealism. For example, the life philosophy of Donghak or Eastern Studies is portrayed as the fantastic unconscious flow of sudden and ambiguous images. Judging from P. B?rger’s 5 characteristics of avant-garde poems, his poetry is fully faithful and qualified. He even showed some thoughts and forms of native postmodernism.
In conclusion, poet Kim Chiha was unlike most postwar poets who failed to face the reality and adopted the lyrics of escapism and foreign word play. He deserves the title of the central pole in the political avant-garde in the Korean poetic history. He has devoted himself to the anti-dictatorship struggle by reviving traditional folk art as people’s consciousness fitting the age.
목차
1. 서론
2. 김지하, 정치적 전위
3. 담시(譚詩)의 전위성
4. 대설〈남(南)〉이후 시의 전위성
5. 결론
【참고문헌】
【Abstracts】
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
1970년대 이후 한국 현대시에서 전위의 맥락
한국시학연구
2007 .12
-
한국 현대시의 ‘전위의 맥락’ 검토
한국시학연구
2008 .08
-
시의 혁명과 시적 혁명 : 심미적 아방가르드와 ‘온몸의 시’로서의 아방가르드
한국시학연구
2007 .12
-
한국 현대 시사(詩史)에서의 아방가르드(Avant-garde) 미학 수용 양상
어문논총
2009 .08
-
해방기 시에서 `전위`의 의미 : 『전위시인집』과 『신시론』을 중심으로
한국학연구
2016 .09
-
1930년대 한국시의 아방가르드와 데카당스 : 김기림 「기상도」의 현재적 의미를 중심으로
한국시학연구
2007 .12
-
해방기 ‘전위시인’의 탈식민주의 성향 연구
우리말글
2006 .08
-
Twelve Poems of Kim Chiha
Korea Journal
1995 .09
-
러시아아방가르드 예술의 발생과 기원 : 초기 예술 그룹의 자유와 직관의 정신에 대하여
스토리앤이미지텔링
2018 .12
-
시교육과 전위시
비평문학
2011 .09
-
李箱의 아방가르드 시학
인문논총
2007 .01
-
아방가르드와 유희의 미학- 페루 아방가르드 시를 중심으로
세계문학비교연구
2014 .01
-
Being-the-Street: Paris after the 13th November, 2015. ISIS, Sociology and the Avant-Gardes
Localities
2016 .11
-
김수영 시의 ‘새로움’ 연구 : 전위 의식과 부정 의식을 중심으로
한국시학연구
2003 .05
-
식민지 조선에서 ‘전위’가 된다는 것 (1)
한국현대문학연구
2013 .12
-
한국 전위시의 조건과 근대출판의 시학
한국학(구 정신문화연구)
2008 .06
-
프랑스 아방가르드 운동과 문학장의 이동
외국문학연구
2005 .02
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-809-018469094