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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
문학과환경학회 문학과환경 문학과환경 제8권 1호
발행연도
2009.6
수록면
55 - 76 (22page)

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초록· 키워드

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In Pilgrim at Tinker Creek, the narrator accosts the pristine nature as a “Being-in-the-world”: seeing, stalking, and speculation. When she endeavors to catch up with nature’s extravagantly flickering images through her “transparent eyeball,” the receding nature rather leads her to probe into her innermost self. The same is also true when she stalks into the nature. Nature’s fecundity and intricate order certify the incommensurable distance between human consciousness and physical nature. Hence she cannot but temporarily rely on rhetorical apparatuses from humorous gestures to concise abstract words to pin down the slippery physical nature. Still, she is ill at ease. By the repetitious investigations to the wilds, she concludes that insofar as nature is colored with the Godly message, what she can ultimately do is to feign the death of herself in order to be a part of the pantheistic nature. Although human consciousness cannot be equal to physical nature, its distance will get wider without conscious efforts to fill the gap. Seeing, stalking, speculation, and even rhetorical devices constitute of the subject matter of the narrator’s performance. The performing self as part of nature, despite its inevitable metaphysical inclination, shows a model of configuring Deep Ecology by transforming a personal self into the impersonal Self.

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1. 서론
2. 본론
3. 결론
〈Works Cited〉
〈Abstract〉

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