지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This is a research of the costumes appearing in the Sunjo Muja Jinjak Uigwe for their digitalization through computer graphics. The bock is considered as one of the most important sources for our understanding of the court dance during the Joseon Dynasty. The costumes shown in the bock are classified for further analyses. And their structures and actual shapes of attires are suggested according to the different presentations in dancing. Both plane and three-dimensional appearances are shown through computer graphics.
Through this study the following results are derived. First. the costumes as much as the dances themselves are as colorful and diverse to meet the established fame of Crown Prince Hyomyong as one of the most distinguished leaders in the arts of the Joseon Dynasty. He rearranged the already existing court dances and created new numbers for court entertainment. And for this purpose he produced matching costumes for the best of the performances, to be inherited until today through the sunk: Muja Jinjak Uigwe. Secondly, there are remarkable differences in costumes between the two banquets of February and June of 1828, although they are only four months apart. We can not only notice newly created costumes, but also find the completely changed costumes of the music director and musicians. Thirdly, this study discovered that there are differences between the court dance costumes from the costumes used today. There are some fundamental misunderstandings about the costumes themselves, as well as mistakes in wearing them. They can be the results from the lack of knowledge and understanding about the costumes, and demand urgent inter-disciplinary researches and contacts to solve the problems.
This kind of research for the digitalization of Korea's traditional cultures can hopefully contribute greatly for the growth of culture contents industries in Korea.
Through this study the following results are derived. First. the costumes as much as the dances themselves are as colorful and diverse to meet the established fame of Crown Prince Hyomyong as one of the most distinguished leaders in the arts of the Joseon Dynasty. He rearranged the already existing court dances and created new numbers for court entertainment. And for this purpose he produced matching costumes for the best of the performances, to be inherited until today through the sunk: Muja Jinjak Uigwe. Secondly, there are remarkable differences in costumes between the two banquets of February and June of 1828, although they are only four months apart. We can not only notice newly created costumes, but also find the completely changed costumes of the music director and musicians. Thirdly, this study discovered that there are differences between the court dance costumes from the costumes used today. There are some fundamental misunderstandings about the costumes themselves, as well as mistakes in wearing them. They can be the results from the lack of knowledge and understanding about the costumes, and demand urgent inter-disciplinary researches and contacts to solve the problems.
This kind of research for the digitalization of Korea's traditional cultures can hopefully contribute greatly for the growth of culture contents industries in Korea.
목차
〈Abstract〉
Ⅰ. 머리말
Ⅱ. 연구방법
Ⅲ. 『순조무자진작의궤』 복식의 고증
Ⅳ. 『순조무자진작의궤』 복식의 디지털콘텐츠화
Ⅴ. 디지털콘텐츠화 작업의 제한점과 활용방안
Ⅵ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2010-592-002419905