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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2005.3
- 수록면
- 105 - 129 (25page)
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초록· 키워드
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M. M. Bakhtin defines as the most striking device in the novel hybridization: two consciousness, two language-intentions, and two voices. A hybrid construction is an utterance that belongs, by its grammatical, syntactical and compositional markers, to a single speaker, but that actually contains within it two utterances, two speech manners, two styles, two languages. It is possible that even in a brief text two languages and two belief systems intersect in a hybrid construction.
In The Taming of The Shrew, Shakespeare disseminates a typical double-accented, double-styled hybrid construction through the Bakhtinian parody. The main plot in which Petruchio tames Kate parodies both medieval chivalric romances and Petrarchan love conventions, by both of which Shakespeare reveals Bakhtinian polyphony, two voices existing in the contemporary world.
In the same text, while Petruchio declares Kate as his possession, belongings, and commodity, he simultaneously assumes a chivalric manner by shouting to Grumio: "Draw forth thy weapon, we are beset with thieves, I rescue thy mistress if thou be a man." It is one example of the hybrid construction in which Shakespeare parodies chivalric romances. On the other hand, in the initiation-courses in which Petruchio tames Kate, Shakespeare parodies the Petrarchan love conventions, the cult of dejection: fasting, the keeping of sleepless vigils, tears, groans and sighs. Kate suffers from starvation and sleepless vigilance. What is worse, while in Petrarchan sonnets a lady is painted incomparably as a beautiful creature radiant with jewelry, Kate is thoroughly denied her inclination to beautify herself physically. Petruchio says that the mind makes the body rich. Shakespeare's parody of Petrarchan love conventions is the other example of the hybrid construction in this play.
Lastly, Shakespeare's parody of the two literary genres makes Kate's last speech internally dialogic potential embedded in linguistic heteroglossia. The internal dialogism of double-voiced prose discourse can never be exhausted thematically. Kate's utterances represent Petruchio's ideology of male dominance and simultaneously transcend it. Kate's last speech is another example of hybrid construction in which the monolithic ideology of male dominance in the medieval age intersects with the polyphonic voices in the sixteenth century.
In The Taming of The Shrew, Shakespeare disseminates a typical double-accented, double-styled hybrid construction through the Bakhtinian parody. The main plot in which Petruchio tames Kate parodies both medieval chivalric romances and Petrarchan love conventions, by both of which Shakespeare reveals Bakhtinian polyphony, two voices existing in the contemporary world.
In the same text, while Petruchio declares Kate as his possession, belongings, and commodity, he simultaneously assumes a chivalric manner by shouting to Grumio: "Draw forth thy weapon, we are beset with thieves, I rescue thy mistress if thou be a man." It is one example of the hybrid construction in which Shakespeare parodies chivalric romances. On the other hand, in the initiation-courses in which Petruchio tames Kate, Shakespeare parodies the Petrarchan love conventions, the cult of dejection: fasting, the keeping of sleepless vigils, tears, groans and sighs. Kate suffers from starvation and sleepless vigilance. What is worse, while in Petrarchan sonnets a lady is painted incomparably as a beautiful creature radiant with jewelry, Kate is thoroughly denied her inclination to beautify herself physically. Petruchio says that the mind makes the body rich. Shakespeare's parody of Petrarchan love conventions is the other example of the hybrid construction in this play.
Lastly, Shakespeare's parody of the two literary genres makes Kate's last speech internally dialogic potential embedded in linguistic heteroglossia. The internal dialogism of double-voiced prose discourse can never be exhausted thematically. Kate's utterances represent Petruchio's ideology of male dominance and simultaneously transcend it. Kate's last speech is another example of hybrid construction in which the monolithic ideology of male dominance in the medieval age intersects with the polyphonic voices in the sixteenth century.
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