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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2003.6
- 수록면
- 381 - 404 (24page)
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This study aims to explore the illusion of power and the vision of utopia in The Tempest in historical, social, political, and cultural contexts and examines how the play reinforces and demystifies a particular ideology and presents the utopian vision. Until now, many critics have understood shakespeare's romances from an aesthetic perspective or as a reflection of imperialism expressed during colonial expansion. In doing so, however, they have failed to notice the workings of politics between Shakespeare's romance and King James I. If we shift our focus on the perspective of cultural materialism, we will be able to find new avenues of interpretations. From the perspective of materialism, we find The Tempest as a medium of a political ideology.
This paper is organized as follows: Section Ⅱ defines how The Tempest reinforces a particular political ideology in Shakespeare's romances. The text reveals political characteristics romance by consolidating an ideology. Section Ⅲ presents how The Tempest demystifies absolute power of King James I. It reveals implication as a place of conflicts and resistance, not a space of ideological containment. Representations are not only an area of submission but also of struggle and therefore work as a formative element of history. Section Ⅳ demonstrates the vision of utopia in The Tempest. It does not use ventriloquism to deliver discourses on political controls but rather focuses on the forms of representation by which potentially subversive and at the same time utopian voices are delivered. It shows how much influence Shakespeare's romances had as a revolutionary ideology for social activism. Finally, a conclusion is presented. Shakespeare's The Tempest effectively manifest the politics of representation.
The text of The Tempest represents James I's appropriation of a political ideology through a masterly incorporation of the meaning and its interpretations in the physical stage. The play is a venue by which a political ideology was presented during the time when Queen Elizabeth I of the Tudors was being replaced by Jammes I of the Stuarts. Romance is a genre that can easily be used to produce, modify, and reinforce a particular ideology, thanks to its theatrical presence. The stage of The Tempest can be read as a social and cultural text where political ideology and discourses of the time are communicated explicitly or implicitly. It then enables an interpretation of the relationship between shakespeare's romances with politics from the critical perspective that is based on cultural materialism.
This paper is organized as follows: Section Ⅱ defines how The Tempest reinforces a particular political ideology in Shakespeare's romances. The text reveals political characteristics romance by consolidating an ideology. Section Ⅲ presents how The Tempest demystifies absolute power of King James I. It reveals implication as a place of conflicts and resistance, not a space of ideological containment. Representations are not only an area of submission but also of struggle and therefore work as a formative element of history. Section Ⅳ demonstrates the vision of utopia in The Tempest. It does not use ventriloquism to deliver discourses on political controls but rather focuses on the forms of representation by which potentially subversive and at the same time utopian voices are delivered. It shows how much influence Shakespeare's romances had as a revolutionary ideology for social activism. Finally, a conclusion is presented. Shakespeare's The Tempest effectively manifest the politics of representation.
The text of The Tempest represents James I's appropriation of a political ideology through a masterly incorporation of the meaning and its interpretations in the physical stage. The play is a venue by which a political ideology was presented during the time when Queen Elizabeth I of the Tudors was being replaced by Jammes I of the Stuarts. Romance is a genre that can easily be used to produce, modify, and reinforce a particular ideology, thanks to its theatrical presence. The stage of The Tempest can be read as a social and cultural text where political ideology and discourses of the time are communicated explicitly or implicitly. It then enables an interpretation of the relationship between shakespeare's romances with politics from the critical perspective that is based on cultural materialism.
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