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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2004.9
- 수록면
- 467 - 490 (24page)
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The purpose of this study is to explore how the two recent films adapted from Shakespeare's Othello, Geoffrey Sax's Othello and Tim Blake Nelson's O, represent modem British and American culture, especially the problem of racism. It is remarkable that the two films commonly seem to focus on jealousy which has been regarded as one of the most important themes in Othello rather than on the problem of race which is the main issue of post-colonial critical view. Especially the white man's jealousy of the black hero is much more emphasized than the black hero's jealousy of his woman. The directors might have judged that jealousy is more universal and sympathetic to modem people than the race problem. However, as long as a black actor plays the role of Othello, we cannot deny that the racial prejudice has its root under the universal feeling of jealousy in the two films, whether the directors admit it or not.
Although both films commonly represent anti-racism, Sax's Othello is quite different from Nelson's O in that the one directly deals with the serious problem of racism in modern British society while the other tries to hide the voice of racism in American society. Odin in Nelson's O is a black hero, an excellent basketball player, who pursues for "American Dream." Nobody around him expresses any direct racial prejudice. Rather he is the man everybody applaud and admire. However he is but a negro who desires to be successful in the society white people dominate. He turns into a beast as soon as he is caught in the trap of racism. On the contrary, John Othello in Sax's Othello becomes the black hero, the chief constable, who fights for the right of black people emphasizing "justice under the law." But his promotion and success makes him more tragic. He cannot overcome the overruling racial prejudice in modem British society. Sax and Nelson created quite different descendents of Shakespeare's Othello in their works, but they are not so different in the sense that both are victims of racism.
Although both films commonly represent anti-racism, Sax's Othello is quite different from Nelson's O in that the one directly deals with the serious problem of racism in modern British society while the other tries to hide the voice of racism in American society. Odin in Nelson's O is a black hero, an excellent basketball player, who pursues for "American Dream." Nobody around him expresses any direct racial prejudice. Rather he is the man everybody applaud and admire. However he is but a negro who desires to be successful in the society white people dominate. He turns into a beast as soon as he is caught in the trap of racism. On the contrary, John Othello in Sax's Othello becomes the black hero, the chief constable, who fights for the right of black people emphasizing "justice under the law." But his promotion and success makes him more tragic. He cannot overcome the overruling racial prejudice in modem British society. Sax and Nelson created quite different descendents of Shakespeare's Othello in their works, but they are not so different in the sense that both are victims of racism.
목차
Ⅰ. 서론
Ⅱ. 삭스의 『오셀로』
Ⅲ. 넬슨의 『오』
Ⅳ. 결론
Works Cited
Abstract
참고문헌 (0)
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