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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2016.3
- 수록면
- 53 - 72 (20page)
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This article aims to understand the protagonist’s other-ness in Othello in terms of race, religion, culture, and geography. Even though Othello isn’t a Venetian, he’s a nobleman in that society. It mainly owes to his prowess as a full soldier. Still it’s ironical that he protects the Christian world as a general. Because he is from Moor, a muslim world. He marries a Venetian noble lady, Desdemona. It’s assumed that he converted to a church-goer at sometime of his wandering career. Moreover he elaborates quite sophisticated speeches. Thus, Othello seems to be successfully assimilated to the Venetian culture. That is, he appears to subvert the racial stereotyping on Moor.
However the prevalent xenophobia in Venice thwarts Othello’s desire to be absorbed into their civilization. In respect to this phenomenon this article focuses on two elements: the cosmopolitan city’s imperial ambition and their anxiety about the transgression by the foreigners on their own culture. Venice was a pivotal Mediterranean seaports during Shakespearean age. Accordingly their wealth chiefly depended on the trades through these passages. That’s why they were in dire need of strong military force like Othello. In the mean time, most of the Venetians’ antagonism towards miscegenation reveals their adherence to their own civilized values. Bravantio, Iago, Roderigo represent such a type of people. Ultimately the overall process which Othello undergoes doesn’t overturn the typified image of his as a Moor but rather returns it. This fluid identity of Othello’s rejects the Europeans’ perverse attempts at Othering him.
However the prevalent xenophobia in Venice thwarts Othello’s desire to be absorbed into their civilization. In respect to this phenomenon this article focuses on two elements: the cosmopolitan city’s imperial ambition and their anxiety about the transgression by the foreigners on their own culture. Venice was a pivotal Mediterranean seaports during Shakespearean age. Accordingly their wealth chiefly depended on the trades through these passages. That’s why they were in dire need of strong military force like Othello. In the mean time, most of the Venetians’ antagonism towards miscegenation reveals their adherence to their own civilized values. Bravantio, Iago, Roderigo represent such a type of people. Ultimately the overall process which Othello undergoes doesn’t overturn the typified image of his as a Moor but rather returns it. This fluid identity of Othello’s rejects the Europeans’ perverse attempts at Othering him.
목차
I. 서론
II. 본론
III. 결론
인용문헌
Abstract
참고문헌 (17)
참고문헌 신청
노승희. 햄릿의 카니발 미학 . Shakespeare Review 44.3 (2008): 365-90.
한영림. 오셀로—국외자에 대한 불안감 . Shakespeare Review 39.3 (2003):663-86.
Adelman, Janet. “Iago’s Alter Ego: Race as Projection in Othello.” ShakespeareQuarterly 48.2 (1992): 125-44. Print.
Bartels, Emily C. “Making More of the Moor: Aaron, Othello, and RenaissanceRefashionings of Race.” Shakespeare Quarterly 41.4 (1990): 433-54. Print.
Berry, Edward. “Othello’s Alienation.” Studies in English Literature 30.2 (1990):315-33. Print.
한영림. 오셀로—국외자에 대한 불안감 . Shakespeare Review 39.3 (2003):663-86.
Adelman, Janet. “Iago’s Alter Ego: Race as Projection in Othello.” ShakespeareQuarterly 48.2 (1992): 125-44. Print.
Bartels, Emily C. “Making More of the Moor: Aaron, Othello, and RenaissanceRefashionings of Race.” Shakespeare Quarterly 41.4 (1990): 433-54. Print.
Berry, Edward. “Othello’s Alienation.” Studies in English Literature 30.2 (1990):315-33. Print.
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UCI(KEPA) : I410-ECN-0101-2016-840-002737930