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자료유형
학술저널
저자정보
김현섭 (고려대학교)
저널정보
대한건축학회 대한건축학회 논문집 - 계획계 大韓建築學會論文集 計劃系 第26卷 第10號
발행연도
2010.10
수록면
209 - 216 (8page)

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This paper aims at comparing Gunnar Asplund's and Alvar Aalto's architectures in their classical periods (respectively ca. 1915~28 and 1918~27) to clarify similarities and differences of them. Under the stream of the so-called "Nordic Classicism", they produced classical buildings in their own countries: Asplund in Sweden and Aalto in Finland. Despite similar features between their classical buildings, the two architects illustrated some decisive differences in their context and architectural attitudes. First, Asplund's classical period, followed by the National Romantic stage, showed us his mature architectural language, but Aalto's classical period was his starting point as architect when he should learn from history and his precedents. Second, in the period, Asplund's influence on Aalto was so significant that the relationship was like that of "teacher-pupil". But the situation changed at the end of 1920s when they converted to functionalism, and they came to mutually influence each other afterwards. Third, Aalto's conversion to functionalism in 1927 was 1~2 years earlier than that of Asplund, and soon Aalto tried to obliterate his classical period that seemed not that glorious. But Asplund's classical motif could be regarded as "archetypal" rather than as a style. which re-appeared in his buildings of 1930s. The study of their classical period architecture helps us deepen and broaden our understanding of modern architecture in general, beyond just the two architects' or the Northern European scopes.

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Abstract
1. 서론
2. 북구 고전주의, 1910~30년경
3. 스웨덴의 우아함과 핀란드 르네상스의 꿈
4. 아스플룬트와 알토의 고전주의 비교
5. 결론
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UCI(KEPA) : I410-ECN-0101-2012-540-003600055