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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Focusing on the case of Park Mok-wol's poem, this manuscript was written for the purpose to review the matter about his released poetry work to a certain paper space already is release the same work again to a different other paper. With regard to the custom on re-inclusion of one's work, while this practice has ever been generally accepted so far without any particular objection, but because it was judged that such custom contains some problem to be seriously considered in some cases.
Mok-wol was the Poet who maintained an intense Poetic Spirit and sincere Writing Attitude, also he was extremely nervous about the Completeness of his Work. When re-adopt the same work again to a poetry book, even about the work released already to a certain paper, viewing the fact that he edited many corrections, or his confession that by his strict censoring on his own work, if those which are not suitable to the consistent standard, he did not re-adopt into the poetry book and intentionally excluded them, therefore these fact and confession back up his such Spirit. Such Mok-wol's intense Poetic Spirit and the Faithful Posture as an Artist should be respected as very precious one.
If it is so, about those works the poet had already deleted from a poetry book by himself, with regardless of the poet's real intention, the habitual practice that the future generations discover the already excluded work and re-release it again must be reconsidered. If it is intentionally excluded work by the poet, the writing principal, according to his judge that its literary value is insufficient, because the behavior which the future generations arbitrarily release the same work to a paper again without passing through any meticulous examination on the work seems not useful also to the poet. In any way, since the work is his own thing what he created, it would be said that the respect for the creator's meaning as maximum as possible is the most rationalistic and desirable.
Mok-wol was the Poet who maintained an intense Poetic Spirit and sincere Writing Attitude, also he was extremely nervous about the Completeness of his Work. When re-adopt the same work again to a poetry book, even about the work released already to a certain paper, viewing the fact that he edited many corrections, or his confession that by his strict censoring on his own work, if those which are not suitable to the consistent standard, he did not re-adopt into the poetry book and intentionally excluded them, therefore these fact and confession back up his such Spirit. Such Mok-wol's intense Poetic Spirit and the Faithful Posture as an Artist should be respected as very precious one.
If it is so, about those works the poet had already deleted from a poetry book by himself, with regardless of the poet's real intention, the habitual practice that the future generations discover the already excluded work and re-release it again must be reconsidered. If it is intentionally excluded work by the poet, the writing principal, according to his judge that its literary value is insufficient, because the behavior which the future generations arbitrarily release the same work to a paper again without passing through any meticulous examination on the work seems not useful also to the poet. In any way, since the work is his own thing what he created, it would be said that the respect for the creator's meaning as maximum as possible is the most rationalistic and desirable.
목차
Ⅰ. 문제 제기
Ⅱ. 재수록 대상과 탈락된 작품의 간극
Ⅲ. 결론
참고문헌
Abstract
참고문헌 (3)
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UCI(KEPA) : I410-ECN-0101-2012-811-003799637