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S. Y. Agnon, the Israeli writer who received the 1996 Nobel Prize for Literature, was born in Buczacz, Galicia, in 1888, five years after Kafka. Like F. Kafka, he was a product of the Habsburg monarchy, but he was more Jewish and less assimilated. Unlike, Agnon's mother tongues were Hebrew and Yiddish, but German was his main European language and the primary source of his 'general' culture.
Possibly the most important modem Hebrew writer, Agnon created a style of his own and a highly original narrative technique that constituted a unique contribution to the form of the modem novel. He probably read Kafka in the German original, although Hebrew translations were available as early as 1924. From the 1930s on, Agnon's works became increasingly surrealistic. Indeed numerous critics, including Baruch Kurzweil, Gabriel Moked, and Hillel Barzel, compared him with Kafka, although he himself always rejected this comparison, claiming that he had only occasionally read him and that his 'roots' were very different. My analysis is based on a phenomenological and intertextual approach: whether Agnon read Kafka or not is insignificant.
Kafka transformed the Jewish condition into a new art form. By turning the need to stand outside of history into an absolute virtue, he thereby opened it up to the most varied interpretations. If Agnon, so to speak, got stuck inside Judaism, this situation can also be seen as a virtue, for it created the possibility of a rich intertextual relationship between his works and the treasures of Jewish culture. Thus Kafka entered the realm of world literature while Agnon has always been seen as an integral part of Jewish literature, the tradition that stretches from the Bible and the Talmud to this day.
Possibly the most important modem Hebrew writer, Agnon created a style of his own and a highly original narrative technique that constituted a unique contribution to the form of the modem novel. He probably read Kafka in the German original, although Hebrew translations were available as early as 1924. From the 1930s on, Agnon's works became increasingly surrealistic. Indeed numerous critics, including Baruch Kurzweil, Gabriel Moked, and Hillel Barzel, compared him with Kafka, although he himself always rejected this comparison, claiming that he had only occasionally read him and that his 'roots' were very different. My analysis is based on a phenomenological and intertextual approach: whether Agnon read Kafka or not is insignificant.
Kafka transformed the Jewish condition into a new art form. By turning the need to stand outside of history into an absolute virtue, he thereby opened it up to the most varied interpretations. If Agnon, so to speak, got stuck inside Judaism, this situation can also be seen as a virtue, for it created the possibility of a rich intertextual relationship between his works and the treasures of Jewish culture. Thus Kafka entered the realm of world literature while Agnon has always been seen as an integral part of Jewish literature, the tradition that stretches from the Bible and the Talmud to this day.
목차
Ⅰ. 서론
Ⅱ. 동유럽의 역사ㆍ문화적 환경과 두 작가의 삶
Ⅲ. 두 작가의 문학세계와 상호 텍스트성
Ⅳ. 결론
참고 문헌
참고문헌 (33)
참고문헌 신청
[단행본] - Alter, R / 1969 / After the Tradition / New York: E. P. Dutton
[단행본] - Band, A. J / 1968 / Nostalgia and Nightmare: A Study in the Fiction of S. Y. Agnon / Berkeley and Los Angeles: University of California Pres
[단행본] - Barzel, H / 1973 / Bein Agnon le Kafka [Agnon and Kafka: A Comparative Study] (in Hebrew) / Ramat Gan: Bar Ilan University
[단행본] - Benz, Wolfgang / 2001 / Bilder vom Juden=유대인 이미지의 역사 / München: Verlag C. H. Beck; 푸른역사
[단행본] - Brod, M. / 1948 / Franz Kafka‘s Glauben und Lehre / Winterthur: Mondialverlag
[단행본] - Band, A. J / 1968 / Nostalgia and Nightmare: A Study in the Fiction of S. Y. Agnon / Berkeley and Los Angeles: University of California Pres
[단행본] - Barzel, H / 1973 / Bein Agnon le Kafka [Agnon and Kafka: A Comparative Study] (in Hebrew) / Ramat Gan: Bar Ilan University
[단행본] - Benz, Wolfgang / 2001 / Bilder vom Juden=유대인 이미지의 역사 / München: Verlag C. H. Beck; 푸른역사
[단행본] - Brod, M. / 1948 / Franz Kafka‘s Glauben und Lehre / Winterthur: Mondialverlag
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