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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The films of Apichatpong Weerasethakul could be read as queer movies on the one hand, but on the other as non-queer movies. They wiggle their ways with desire that makes cracks on the normative idea of sexuality and furthermore on sexual identity in general. Queerness, as a name of particular eroticism, could be created on the level of arbitrariness and fortuitousness. If his films are queer movies, it is not because that they portray homosexual eroticism but because that the portrayal of specific eroticism oscillates through another kinds. If they are not queer movies, it is because that the floating sexuality would be a part of the spectrum of which abnormal identities consist.
This paper tries to reconstruct the queerness in 〈Blissfully Yours〉 (2002) and 〈Tropical Malady〉 (2004) focusing on the sexual relationships of characters. Though 〈Blissfully Yours〉 presents characters’ heterosexual relationships on the surface, it could be read as a symptom of suppression of homosexual desire as well as a disequilibration between heterosexual and homosexual desire. It’s queerness lies in their floating and interchangeable sexuality and relationships. 〈Tropical Malady〉 presents a fantastic space where characters are acquiring queer identities by way of becoming-animal. Its fantastic moment of becoming-animal creates a new language of re-territorialization of representation of queer subjects.
Representation of queerness in 〈Blissfully Yours〉 and 〈Tropical Malady〉 could be read as a constant antagonism between rethinking sexual identity of Thai tradition and practicing an alternative queer culture to that of the West. It is imperative not only to reflect on the Thai socio-cultural and historical contexts, but also to reconsider the representational strategy on queer subjects in queer movies, if we are to understand the complicated and palimpsest texures of “queerness” of the films of Apichatpong Weerasethakul.
This paper tries to reconstruct the queerness in 〈Blissfully Yours〉 (2002) and 〈Tropical Malady〉 (2004) focusing on the sexual relationships of characters. Though 〈Blissfully Yours〉 presents characters’ heterosexual relationships on the surface, it could be read as a symptom of suppression of homosexual desire as well as a disequilibration between heterosexual and homosexual desire. It’s queerness lies in their floating and interchangeable sexuality and relationships. 〈Tropical Malady〉 presents a fantastic space where characters are acquiring queer identities by way of becoming-animal. Its fantastic moment of becoming-animal creates a new language of re-territorialization of representation of queer subjects.
Representation of queerness in 〈Blissfully Yours〉 and 〈Tropical Malady〉 could be read as a constant antagonism between rethinking sexual identity of Thai tradition and practicing an alternative queer culture to that of the West. It is imperative not only to reflect on the Thai socio-cultural and historical contexts, but also to reconsider the representational strategy on queer subjects in queer movies, if we are to understand the complicated and palimpsest texures of “queerness” of the films of Apichatpong Weerasethakul.
목차
1. 태국 영화의 퀴어스케이프
2. 성 정체성의 지역적 특수성 재고
3. 〈친애하는 당신〉: 가시적 이성애와 잠재적 동성애
4. 〈열대병〉: 동물-되기를 경유한 퀴어-되기
5. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2013-600-000424036