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논문 기본 정보

자료유형
학술저널
저자정보
한연희 (숭의여자대학)
저널정보
한국의상디자인학회 한국의상디자인학회지 한국의상디자인학회지 제13권 제1호
발행연도
2011.2
수록면
99 - 112 (14page)

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초록· 키워드

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The purpose of this research is to study India’s traditional embroidery method, Mirror Work, and to evaluate the examples of contemporary costumes as well as the applications of art to clothing that have been influenced by this technique, in order to expand its usage for creation of a new fashion image.
Research in the literature and application of works related to Mirror Work have demonstrated: First of all, as a traditional embroidery method that represents the folk art of India, Mirror Work displays unique methods used in different regions and the way that various methods and materials were combined by the use of mirrors, beads, and applique.
Secondly, it was found that the presentation of Mirror Work in the pret-a-porte collection is based on a traditional embroidery method using both developed materials and adapted methods to express traditional reproducibility, geometric simplicity, and aesthetic characteristics of complex decorations. Thirdly, new plasticity for art to wear clothing can be created through various methods aside from embroidery, for example by a technique of wrapping crochet laces and tapes around the mirror for decorative purposes.
Based on these results it can be inferred that, from the perspective of multiple forms for decorations, Mirror Work shares multiple forms of personal aesthetic goals through the mirror’s unique quality for expression and enhanced images of artistic decorative art. Also, the introduction of traditional materials and methods for today’s folk art and traditional costumes can be the subject of unique aesthetic characteristics based on different perspectives of the recreation of tradition. Finally, it can further create a new plasticity within the globalization phenomena.

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Abstract
Ⅰ. 서론
Ⅱ. 전통 자수기법 “Mirror Work”의 일반적 고찰
Ⅲ. Mirror Work의 조형성
Ⅳ. 결론
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UCI(KEPA) : I410-ECN-0101-2013-592-000444595