지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2011.12
- 수록면
- 363 - 374 (12page)
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초록· 키워드
오류제보하기
The purpose of this paper is to reassess the contribution of Lee Kyung-sung as art critic who became active since 1953, focusing on his criticism published in the 1950s. Although some artists also wrote criticism on artwork, Lee was the only professional art critic during the decade. Despite harsh milieu, he developed his own critical viewpoint while writing reviews on exhibitions, in which he claimed that Korean artists should seek reality and modernity in their artworks for the development of Korean art. He was able to publish his criticism in limited venues such as newspapers and magazines. Thus, most of his writings tend to be brief, yet his criticism was severe and pointed. Although his criticism tends to provide evaluations rather than close analyses and profound interpretations about his contemporary art, his criticism published in the 1950s provides important basic information of art and art criticism of the period, which serves significantly in restoring Korean modern art.
목차
I. 들어가는 말
II. 성장기와 미술과의 인연
III. 1950년대 이경성의 미술비평관
IV. 비평의 실천
V. 맺는말
참고문헌
Abstract
참고문헌 (37)
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UCI(KEPA) : I410-ECN-0101-2014-600-000639428