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This essay aims to study the literary continuity of the Harlem Renaissance and Chicago Renaissance. In “Blueprint for Negro Writing,” a special issue of New Challenge magazine, Richard Wright declares the beginnings of a new black literary movement called the Chicago Renaissance In the essay, Wright insists that the Chicago Renaissance writers challenge black writers to fuse Marxist principles with black vernacular expression, but warns against creating a ‘simple literary realism’ that depicts black life as ‘devoid of wider social connotations or the revolutionary significance of black nationalist tendencies.’ His declaration means that the Chicago Renaissance writers should put their focus on the black masses more radically than their elder did. However, it does not say that the Chicago Renaissance writers should reject a legacy of the Harlem Renaissance. The Chicago Renaissance shares the important features of the Harlem Renaissance. Both renaissance writers emphasize heavily the racial themes, and elaborate upon the popular elements of the black folk. In Native Son, Wright’s critical perspective on whites’ racial oppression is the same as McKay’s and Hughes’s critical perspectives in Banzo, “Poor Little Black Boy” and “Slave on the Block.” And Chicago is also not the earliest nexus of Marxist literary influence. African American Marxist tradition originates in the Harlem Renaissance. Wright does not recognize the cultural and political activism of Harlem Renaissance writers such as McKay and Hughes. The Harlem Renaissance elders begin to cultivate an African Marxist cosmopolitanism that merges black aesthetic and cultural traditions with the Marxist perspective of proletarian art. Considering these facts, Wright’s declaration reflects African Americans’ reality of segregated life, poverty, and racism aggravated by the Great Depression of the 1930s, rather than the Harlem Renaissance writers’ aesthetic and cultural traditions.
목차
I. 들어가기
II. 할렘 르네상스의 유산
III. 백인사회의 유희적 경멸과 동정의 시선에 대한 거부
IV. 맺음말
인용문헌
Abstract
참고문헌 (25)
참고문헌 신청
1. [단행본] - 헬블링, 마크 / 2007 / 할렘 르네상스 / 주한미국대사관
2. [단행본] - Avery, Gross / 1979 / Rebels and Victims: The Fiction of Richard Wright and Bernard Malmud / Kennikat P
3. [단행본] - Baker, Houston / 1987 / Modernism and The Harlem Renaissance / U of Chicago P
4. [단행본] - Baldwin, James / 1957 / Notes of a Native Son / Beacon P
5. [단행본] - Bone, Robert / 1964 / The Negro Novel in America / Yale UP
2. [단행본] - Avery, Gross / 1979 / Rebels and Victims: The Fiction of Richard Wright and Bernard Malmud / Kennikat P
3. [단행본] - Baker, Houston / 1987 / Modernism and The Harlem Renaissance / U of Chicago P
4. [단행본] - Baldwin, James / 1957 / Notes of a Native Son / Beacon P
5. [단행본] - Bone, Robert / 1964 / The Negro Novel in America / Yale UP
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