지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The meanings of end of World War Ⅱ were different to each countries ; China, Japan and Korea. Chinese called it ‘miserable victory’, Japanese called it ‘sorrowful defeat’, on the other hand Korean recognized it after Korean war exactly. Because the division of the Korean Peninsula was caused by Japan’s colonial rule, Korean started to recognize the fact after Korean war. So each people of each counties recalls the war as each way, such cases similarly can be applied to melodramas.
This paper analysis three melodramas that have been made by China, Japan and Korea and have something in common. There was not scenes of battle, moreover the fact of war didn’t work as a main motif or important information in these films. Only main characters just experienced the war that has not been seen in diegesis. However audiences would feel the tragedy of war and recognize faintly that the nation/groups never protect the individuals.
This paper tries to use ‘discontinuous transition’ that could be applied to analysis the works can’t be read by reflection of reality. Discontinuous transition usually focuses on protonarrative.
In conclusion this paper interprets “Spring in a Small Town”(Fei Mu, China, 1948), “A Drifting Story (Pyolyudo)”(Gwon Yeong-sun, Korea, 1960), “Floating Clouds”(Naruse Mikio, Japan, 1955) as the films depicting indirectly the devastation of war. This paper intends to let audiences know that the memories of the war are stored long as each way.
This paper analysis three melodramas that have been made by China, Japan and Korea and have something in common. There was not scenes of battle, moreover the fact of war didn’t work as a main motif or important information in these films. Only main characters just experienced the war that has not been seen in diegesis. However audiences would feel the tragedy of war and recognize faintly that the nation/groups never protect the individuals.
This paper tries to use ‘discontinuous transition’ that could be applied to analysis the works can’t be read by reflection of reality. Discontinuous transition usually focuses on protonarrative.
In conclusion this paper interprets “Spring in a Small Town”(Fei Mu, China, 1948), “A Drifting Story (Pyolyudo)”(Gwon Yeong-sun, Korea, 1960), “Floating Clouds”(Naruse Mikio, Japan, 1955) as the films depicting indirectly the devastation of war. This paper intends to let audiences know that the memories of the war are stored long as each way.
목차
1. 연구 목적과 ‘불연속 전이성’
2. 멜로드라마의 숨겨진 전쟁 진술
3. 전후 멜로드라마의 불연속 전이성 : 다른 진술과 같은 기억
4. 맺으며
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2015-688-001343363