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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.4
- 수록면
- 51 - 61 (11page)
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Aesthetics of use for modern people can be regarded as being weighted toward universal and rational function since it has focused on an `automation and efficiency` in terms of technological and human engineering position. Thus, aesthetics of use as an individual agent has remained in minimal level. This study attempts to seek conceptual model of design regarding the behavior of users from the systematization of critical theories about the usability. To do that, `HERTZAIN TALES` written by Anthony Dune and the concept and system of Droog Design have been used as a core standard.
In line with the various experiments by artist groups such as Fluxus, Memphis group and the work of product semantics, and inherent characteristics of Droog design, which has surfaced from the 1990s. concepts that has mentioned in the Hertzain tales have been organized into main texts. By overcoming cognitive bias inherent in the material culture and by overcoming an existing usability based on immateriality and dialectic solution, the autonomy of critical design and instrumentality of Droog design have been systemized. By interpreting the design aspect of 12 pieces that have been submitted to the RE:MIND section, the core of this study, it has been confirmed that conceptual and critical design`s aesthetics of use
From the interpreation of the design aspect of 12 pieces that have been submitted to the RE:MIND section, the core of this study It has been confirmed that conceptual and critical design`s aesthetics of use established the autonomy and independence of the behavior of users, created functional articulation of materials and secured new conceptual model and thus, could be an effective methodical clue for creating an emergent design.
In line with the various experiments by artist groups such as Fluxus, Memphis group and the work of product semantics, and inherent characteristics of Droog design, which has surfaced from the 1990s. concepts that has mentioned in the Hertzain tales have been organized into main texts. By overcoming cognitive bias inherent in the material culture and by overcoming an existing usability based on immateriality and dialectic solution, the autonomy of critical design and instrumentality of Droog design have been systemized. By interpreting the design aspect of 12 pieces that have been submitted to the RE:MIND section, the core of this study, it has been confirmed that conceptual and critical design`s aesthetics of use
From the interpreation of the design aspect of 12 pieces that have been submitted to the RE:MIND section, the core of this study It has been confirmed that conceptual and critical design`s aesthetics of use established the autonomy and independence of the behavior of users, created functional articulation of materials and secured new conceptual model and thus, could be an effective methodical clue for creating an emergent design.
목차
Abstract
1. 서론
2. 사용미학의 비판적 실천양상
3. 사용미학의 자율성과 도구성
4. RE:MIND 디자인의 개념적, 비평적 사용 미학 해석
5. 결론
참고문헌
참고문헌 (10)
참고문헌 신청
1. [학술지(정기간행물)] - 김유진 / 2002 / 네덜란드 디자인 그룹 'Droog Design'에 관한 연구 / 디자인학연구 15 (2) : 15 ~ 168
2. [단행본] - Dunne, Anthony / 2002 / 헤르츠 이야기 / 시지락
3. [단행본] - Dunne, Anthony / 2007 / Hertzian Tales / Mit Pr
4. [단행본] - Renny Ramakers / 2004 / Less + More, DROOG DESIGN IN CONTEXT / 디자인로커스
5. [학술지(정기간행물)] - 문무경 / 2012 / 드록디자인 활동에서의 네덜란드 방식에 관한 연구 (1993-2007) / 기초조형학연구 13 (3) : 113 ~ 124
2. [단행본] - Dunne, Anthony / 2002 / 헤르츠 이야기 / 시지락
3. [단행본] - Dunne, Anthony / 2007 / Hertzian Tales / Mit Pr
4. [단행본] - Renny Ramakers / 2004 / Less + More, DROOG DESIGN IN CONTEXT / 디자인로커스
5. [학술지(정기간행물)] - 문무경 / 2012 / 드록디자인 활동에서의 네덜란드 방식에 관한 연구 (1993-2007) / 기초조형학연구 13 (3) : 113 ~ 124
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UCI(KEPA) : I410-ECN-0101-2015-610-001449159