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논문 기본 정보

자료유형
학술저널
저자정보
한순자 (가천대학교)
저널정보
한복문화학회 한복문화 韓服文化 第17卷 4號
발행연도
2014.12
수록면
101 - 116 (16page)
DOI
10.16885/jktc.2014.12.17.4.101

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초록· 키워드

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A festival is a space for complex culture of the era, where the past coexists with the future, and where efforts are made to seek new meanings of tradition and playfulness based on the origin. Festivals give essential vitality to everyday life. Since ancient times, human beings have believed in an absolute power that will determine their fate, and held ceremonies to deify and worship him while making wishes, and this is considered as the origin of festivals. A festival implies religious tradition, and combines festive days where wishes are made and congratulatory ceremonies are held with fete days where gods are worshiped in addition to entertainment. As fete days have periodicity, and those established in previous generations are passed down to the next generation, tradition and periodicity are emphasized in festivals. From a ceremonial perspective, a festival adopts certain forms such as regional characteristics, ethnological ceremonies, parades, music and dance, and ceremonial factors are included in the costumes or masks. The deity is an inherent part of a festival, and practicality of everyday life is implied to create a space featuring costume, symbols, dance, rhythm, foods and beverages. Traditional costumes and masks have diversified significance in a festival, and serve as a means of expressing not only the characteristics, customs and tradition of a festival, but also of representing the deity. This study is focused on examining the practice and ceremonies in a festival and describing the traditional characteristics of masks and costumes, as well as the images that express tradition and artistry based on the diverse meanings of festivals. The study also aims to determine the significance of the masks and costumes used in festivals, and pursue diversity of design based on traditional image motifs.

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〈Abstract〉
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 민속 축제의 가면ㆍ가장과 이미지 특성
Ⅳ. 현대 패션의 가면ㆍ가장 이미지 활용
Ⅴ. 결론
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