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자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제23권
발행연도
1994.11
수록면
197 - 210 (14page)

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The purpose of this study is to present a way to analyze and review the subjective view of the aesthetic for dress based on the framework of the aesthetic categories suggested by aesthetics. In order to define objectivism and subjectivism of the aesthetic of dress, theoretical studies on the aesthetic categories of dress were preceded. And empirical studies on the aesthetic categories of dress for selected period, the Renaissance(16th century) and the Baroque(17th century). The results were as follows ; The objectivism of the aesthetic is the point of that an object causes human to feel and judge aesthetically, that is that of dress means formal characteristic of dress and pervasive ideology expressed in dress. The subjectivism of the aesthetic is the point that the aesthetic is ruted in human, that is that of dress has been studied in relation to the image, the aesthetic consciousness, or the aesthetic categories of dress. Especially, the aesthetic category is one of the universal and valid methods for the analysis of subjectivism of the aesthetic for dress. This study includes beauty, grace, elegance, the sublime, the tragic, the comic, aptness, ugliness as aesthetic categories of dress. Beauty is perfection and rule. Grace pleases human by sense, Elegance comes from the harmony of sense and spirit. The sublime comes into existence that human feels pleasure as well as displeasure simultaneously when human is overwhelmed by objects. The tragic is the sense of the presence of something valuable even if there is suffering. The comic is the sense of the presense of something amusing even if there is displeasure caused by contradiction. Aptness means utility in terms of the objectivism and, formality in terms of the subjectivism. Ugliness is opposite to beauty. As the result of emperical studies, the aesthetic categories of the Renaissance dress showed harmonious, balanced, and symmetrical beauty, and the magnificent, and enlarged sublime. In addition to these, grace and elegance were also found to some extent. Aesthetic categories of the Baroque dress show feminine, soft, cheerful, and fantastic grace, asymmetric, disharmonious, and extraordinary ugliness, and the magnificient, grave, and dignified sublime.

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