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자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제48권
발행연도
1999.11
수록면
197 - 216 (20page)

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This study reflects the aim of analyzing the formality and symbolism of the Chanel suit. Chanel had designed jersey and tweed cardigan suits in the 1910s and 1920s, while her suits of the 1930s were crisply fitted, The suits of the 1950s and 1960s, while were comfortable and slightly boxy, marked a significant step forward. Lagerfeld`s mission at Chanel was to transmute the basic elements of the Chanel style and make them contemporary. He has also introduced the contemporary wide shoulders and short, tight skirt. In place of sensible knee-length skirts, he offered hemlines that either grazed the ankles or exposed most of the thighs. Besides her very influential jersey and tweed cardigan suit, Chanel continued to assert her considerable strength with materials often making her suits in very delicate, feminizing fabrics. In place of the classic boxy tweed jacket, Lagerfeld introduced jackets made of terrycloth, denim and stretch fabric. Many of Chanel`s suits show a stylish sense of colour that would have made artist envious. Chanel and Lagerfeld chose a variety of colours from beige, sand, grey and black to blue, green, cerise and red for her suits. They was completely in tune with the twentieth century, understanding the changes in lifestyles of woman and also understanding how her clothes should cater to them. Thus the Chanel suit is more a way of life than just a fashion and is synonymous with wealth and aristocracy. It is one of the most popular status-symbol styles of the 20th century.

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UCI(KEPA) : I410-ECN-0101-2017-381-000760644