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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제51권 제5호
발행연도
2001.8
수록면
17 - 28 (12page)

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The purposes of this study were to arrange and analyze the Oriental Mode in 20th century fashion and to clarify that Oriental dress and its ornaments appearing as the main subject of Occident fashion gradually. The results were as follows: First, Oriental Mode in 1900-1950s was prescribed as the `Orientalism` to be expressed Occidental imperialistic viewpoint. Therefore, the Orient was used as the simple recording mark of the imperialism product or commercial motive and it was reflected in fashion. Second, it was explained in 1960-1970s as the `Folklore Orientalism` that focus was moved into the folklore costume of Orient. Third, in 1980s, `Ethnic` was conspicuous that reflected the traditional costume in the area of non-christianity, Especially, it was the decade that the Middle East attracted attention. Fourth, Oriental Mode in 1990s appeared as the `Fusion` that Oriental and Occidental elements were mixed and compromised on equal terms. Fifth, it was expressed as a word `Zen` that had natural fiber, moderate color and silhouette to be most basic and concise about human body at the end of 1990s. This study could confirm that the center of fashion was being converted into the Orient gradually. This may be understood as the pluralistic culture phenomenon. Namely, eclectic principle to recognize mutual style and individualistic nature and to utilize and mix was made, and this brought the conversion into Oriental sense of value.

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