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자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제53권 제6호
발행연도
2003.9
수록면
11 - 23 (13page)

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Japonese woodblock printing has been accepted with amat curiosity at first, and it has been called of art as `Japonisme` or `Japonaiserie` in which the school of Impressionism accepted the Japanese type of art and developed it in Europe. The term of Japonisme is the concept that does not refer to one style hut to the taste for Japanese Painting, craft, fashion and the like in Europe proved as the historical phenomenon through Japanese works. That is, it means every Japanese disposition including all artistic techniques and contents relating to Japanese tastes in Europe. Fashion of dress as Japanese expressed in European painting works not only symbolizes the `modernity` expressive of the aspiration and nostalgia for Japan but presents the Japan of exotic taste as the inquisitive object of sexual interest. And the expressive method of the peculiar the beauty of the body was described in Japanese Painting works because of the fashion characteristics that the frontal side of Japanese clothing was presented in a more decorative and formative way than its reverse side due to decorative design and belts. It could be found that this was introduced actively into the painting works of the impressionist school. This study attempts to discuss the expressive style including the pictorial style. technique and theme shown in the accommdating process of Japanese painting in the Impressionistic schwl and investigate the phenomenon of Japonisme that was conducted in the western Europe. Accordingly, this study attempts to find out that clothing takes an important place as the aesthetic category of one historical point in time by investigating the Japanese clothing of the times shown in impressionist painting works and that clothing forms the stvlistic characteristics and formative characteristics of painting. It could be found that dress existed not only as the instrument capable of illusbating the aesthetic attitude or will of the human being as visual identity but as plastic art and became the prime mover for reinterpreting and changing the plastic style of art frontier.

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