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자료유형
학술저널
저자정보
한영걸 (국민대학교)
저널정보
인천대학교 인문학연구소 인문학연구 인문학연구 제26집
발행연도
2016.12
수록면
177 - 201 (25page)

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초록· 키워드

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In the Warring States period, allegory reached its highest level of influence when it was utilized by the all philosophers and scholars represented by Han Fei Tzu and Chuang-tzu and who established the foundations of Chinese allegory. It can be said that it is the highlighting of figurative and lively figuration of characters, the use of diverse rhetorical techniques, and the appropriate choice of materials which attract people’s interest through which Han Fei Tzu’s allegory and Chuang-tzu’s allegory were able to represent the highest level in this period.
However, existing research on Han Fei Tzu’s allegory are very scant and particularly the bodies of research that systematically examine Han Fei Tzu’s allegories are minimal and the classification of their types is also not consistent.
So, by referring to the existing research, Han Fei Tzu’s allegory materials are uniformly classified into 3 types: mythical stories, historical stories, and folk stories. And the historical stories are classified into war stories, monarch stories, and subject stories. Beyond that, the folk stories are classified into 2 types: personification stories, and animal stories (animal stories that use personification rhetorical techniques and animal stories that do not use personification rhetorical techniques) and I attempt to examine these systematically and conduct an in-depth study on these particular stories. Based on my conducted research, I will explore the literary value of Han Fei Tzu’s allegory and contribute to the researches on Han Fei Tzu’s allegory.

목차

Ⅰ. 머리말
Ⅱ. 신화고사(神話故事)
Ⅲ. 역사고사(曆史故事)
Ⅳ. 민간고사(民間故事)
Ⅴ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2017-001-001972050