지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한국미술연구소 미술사논단 美術史論壇 제47호
- 발행연도
- 2018.12
- 수록면
- 161 - 184 (24page)
- DOI
- 10.14380/AHF.2018.47.161
이용수
초록· 키워드
오류제보하기
Weddings were regarded as highly important rituals in Joseon dynasty Korea. They were considered a ‘foundation for the Three Moral Principles(三綱之本),’ as well as one of the ‘Great Rituals(大禮),’ and were referred to as ‘major life events’ and the ‘pinnacle of human relations(人倫之首).’ The Record of Rituals describes marriage as ‘the beginning of a person’s life’ and the ‘foundation of rituals.’ This is because the union of a man and woman from different families leads to the formation of a new family, one who worships ancestors of the past and leaves descendants for the future-a practice that forms the basis of the survival and expansion of a society. Consequently, an understanding of the wedding ceremony is considered one of the key factors in understanding not just the practices of daily life but also the construction of identity and tradition in the Joseon dynasty. Literary descriptions and visual representations from the period are both essential to the process of understanding wedding ceremonies in the Joseon dynasty. Though few visual representations of wedding ceremonies remain extant, Pyeongsaendo(paintings of a person’s life) produced during the latter part of the Joseon dynasty do reproduce scenes of wedding ceremonies and sixtieth wedding anniversary feasts, which demonstrate both the modes of the ritual and changes to those modes.
Pyeongsaengdo folding screens were manufactured only during the Joseon dynasty and had their origin in the Seonwonhaengsado, a text written by Jeong Seon, promoted by the descendants of Seonwon Kim Sangyong in connection with ideas regarding family and ancestor worship, and respected by the nobility of Hanyang Castle(京華世族). Furthermore, Pyeongsaendo became established as expressions of family consciousness by the painter Kim Hongdo and the descendants of Modang Hong Yisang. Throughout the latter part of the Joseon dynasty, Pyeongsaendo were idealized by members of the literati as the typical example of the painting-on-events genre that would evolve into min hwa and other folk paintings in the modern era. The Modang Pyeongsaendo, the Damwa Pyeongsaendo, and a copy of a Pyeongsaendo once in the collection of the Yu Hyeonjae library, all of which are attributed to Kim Hongdo, provide visual images of wedding ceremonies and sixtieth wedding anniversary feasts that “roughly represent” a standard wedding ceremony. They are characterized by their inclusion of more plentiful information on the conventional courtesies and popular customs of Joseon dynasty Korea than are found in Zhu Xi’s Family Rituals. Interestingly, the Modang Pyeongsaendo, which has been dated to the year 1781 through the comparison of painting modes in the sixtieth wedding anniversary feasts, might in fact date from the reign of King Heonjong(1835~1850) and have been painted by Baek Eunbae or Yi Hancheol, both of whom were official court painters. The Damwa Pyeongsaendo, which depicts a sixtieth wedding anniversary feast, exhibits characteristics of painting modes that were prominent in the latter part of the reign of King Sunjo(1801~1834), while the Pyeongsaendo from the former Yu Hyeonjae library collection exhibits characteristics from the former part of his reign.
Pyeongsaengdo folding screens were manufactured only during the Joseon dynasty and had their origin in the Seonwonhaengsado, a text written by Jeong Seon, promoted by the descendants of Seonwon Kim Sangyong in connection with ideas regarding family and ancestor worship, and respected by the nobility of Hanyang Castle(京華世族). Furthermore, Pyeongsaendo became established as expressions of family consciousness by the painter Kim Hongdo and the descendants of Modang Hong Yisang. Throughout the latter part of the Joseon dynasty, Pyeongsaendo were idealized by members of the literati as the typical example of the painting-on-events genre that would evolve into min hwa and other folk paintings in the modern era. The Modang Pyeongsaendo, the Damwa Pyeongsaendo, and a copy of a Pyeongsaendo once in the collection of the Yu Hyeonjae library, all of which are attributed to Kim Hongdo, provide visual images of wedding ceremonies and sixtieth wedding anniversary feasts that “roughly represent” a standard wedding ceremony. They are characterized by their inclusion of more plentiful information on the conventional courtesies and popular customs of Joseon dynasty Korea than are found in Zhu Xi’s Family Rituals. Interestingly, the Modang Pyeongsaendo, which has been dated to the year 1781 through the comparison of painting modes in the sixtieth wedding anniversary feasts, might in fact date from the reign of King Heonjong(1835~1850) and have been painted by Baek Eunbae or Yi Hancheol, both of whom were official court painters. The Damwa Pyeongsaendo, which depicts a sixtieth wedding anniversary feast, exhibits characteristics of painting modes that were prominent in the latter part of the reign of King Sunjo(1801~1834), while the Pyeongsaendo from the former Yu Hyeonjae library collection exhibits characteristics from the former part of his reign.
목차
Ⅰ. 머리말
Ⅱ. 조선풍 평생도의 성립
Ⅲ. 평생도의 혼례 이미지
Ⅳ. 맺음말
참고문헌
ABSTRACT
참고문헌 (30)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
신부 이미지에 따른 웨딩메이크업 트렌드 분석-2016∼2019년 웨딩잡지를 중심으로-
한국화장품미용학회지
2020 .06
-
스몰웨딩을 위한 뉴노멀 웨딩드레스 디자인 개발
한국의상디자인학회지
2022 .12
-
Traditional Wedding
한국기초조형학회 작품집
2024 .08
-
한국 전통 복식을 응용한 작은 결혼식 의상 디자인
한복문화
2017 .12
-
디자인 트렌드가 적용된 웨딩공간 실내디자인에 관한 연구 -서울 지역을 중심으로 -
한국실내디자인학회 학술대회논문집
2020 .05
-
오브제적 표현특성을 적용한 결혼예식공간 디자인에 관한 연구
한국실내디자인학회 학술대회논문집
2020 .05
-
한국의 웨딩 문화에 따른 웨딩드레스 트랜드의 변천 연구 : 2003년∼2017년을 중심으로
한국화장품미용학회지
2017 .12
-
가치소비 웨딩문화의 웨딩드레스 디자인 요소 분석
한국의상디자인학회지
2018 .06
-
변화하는 한국의 결혼 문화에 따른 웨딩 실내 공간 및 특성에 관한 연구 - 국내호텔 웨딩 공간 중심으로 -
한국실내디자인학회 학술대회논문집
2020 .05
-
스몰웨딩에 관한 소비자인식 및 선호도연구
한국화장품미용학회지
2018 .09
-
서비스 마케팅을 적용한 웨딩공간 디자인 제안
한국공간디자인학회 논문집
2021 .08
-
결혼 문화 의식 변화에 따른 웨딩 시설의 공간 및 유형 변화에 관한 연구
한국실내디자인학회 학술대회논문집
2015 .10
-
한국과 중국의 웨딩메이크업 이미지 비교분석 연구 -2020년도를 중심으로
한국미용학회지
2021 .01
-
작은 결혼식의 웨딩 촬영용 의상을 위한 텍스타일 디자인 개발 연구 : 활옷 무늬를 중심으로
한복문화
2016 .02
-
중국 농촌 혼례 의식 공간 디자인 전략 연구 -사미촌(沙美村) 혼례 의식 환경의 변화를 중심으로-
한국공간디자인학회 논문집
2024 .08
-
기계학습 알고리즘을 이용한 웨딩코디네이션 가상체험 플랫폼 개발
한국미용학회지
2016 .12
-
인구통계학적 특성에 따른 웨딩상품 선택속성의 차이 연구
국제보건미용학회지
2020 .01
-
라이프스타일과 소비가치가 웨딩상품 선택속성에 미치는 영향
한국미용학회지
2021 .01
-
Remind of the Wedding Day
한국기초조형학회 작품집
2019 .11
-
중국 여성의 전통 결혼 예복 선호도 및 구매행동 분석
한복문화
2020 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2019-650-000315381