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자료유형
학술저널
저자정보
저널정보
아시아민족조형학회 아시아민족조형학보 아시아民族造形學報 第19輯
발행연도
2018.12
수록면
125 - 152 (28page)

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When Prince Hyomyeong was a young 19-year-old, assuming the great responsibility of deputy governing, he chose “Yeack politics” as a way of proving himself to be a qualified and ready reserve prince as the next monarch(君主). In the Joseon Dynasty when Confucian orthodoxy was the national policy, the king ruling with the Yeack was considered as the ideal monarch and could be praised as a sage king, the best example of Yeack politics was royal court banquet. It is because it gives the servants the effect of forcing the loyalty(忠) by showing respect for parents, celebrating their birthdays, and personally showing the filial piety(孝) for praying for longevity. In the Joseon Dynasty, the loyalty(忠) and the filial piety(孝) were one, not two. The servant must be loyal to the monarch, just as the child ought to be devoted to the parents.
As the royal court banquet was a national ceremony served along with strict protocols of music (樂), song(歌), and dance(舞), the royal authority(王權) and the servant power(臣權) were clearly revealed. When the Prince of Joseon started the deputy governing on behalf of the sick king, it was the Kims of Andong that he pulled out the sword of Yeack politics called the royal court banquet and pointed at.
As word(詞) is the opposite word of melody(曲), it means the lyric of the song. The reason word(詞) was called Jeonsa(塡詞) was that it means to fill up the lyrics according to melody(樂曲).
In modern music, the music in which the lyrics are changed and singed to the same melody is called contrafactum. According to the present expression, it is “Swap Song”.
Prince Hyomyeong, the Prince of Joseon who loved dancing!
This researcher wants to follow the secret story hidden in the Titles of Votive Offering and Music pretypified by Prince Hyomyeong.

목차

Abstract
Ⅰ. 머리말
Ⅱ. 효명세자의 예제(睿製) 악장(樂章)
Ⅲ. 효명세자의 정재 창작
Ⅳ. 연경당 진작의 정재
Ⅴ. 맺음말
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