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This article examines the relationship between clerical portraits in some works from the Restoration period to the eighteenth century and the artists' changing perceptions of their roles as social reformers. The ancient literary tradition of portraiture of clergymen, “balanced portrait,” in which both the negative and negative are juxtaposed, remained an integral part of the writers' technique and suggested their relationship to the clerical figures. In the works the writers employed the balanced portrait. After the Restoration, writers began destroying the conventional antithesis. Though the balance still existed, the references to good clergymen are politically charged and begin to question the clergy's role as moral reformer.
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참고문헌 (24)
참고문헌 신청
Canfield, R. M. / 1989 / A Clergyman: Poet and the Church in Change in : Studies on Voltaire and the Eighteenth Century / Oxford UP : 388 ~ 399
Damrosch, Leopold, J. / 1985 / God's Plots and Man's Stories: Studies in the Fictional Imagination from Milton to Fielding / U of Chicago P
Defoe, Daniel / 1970 / Moll Flanders / Crowell
Defoe, Daniel / 1971 / A Tour Through the Whole Island of Great Britain / Penguin
Doody, Margaret A / 1974 / A Natural Passion: A Study of the Novels of Samuel Richardson / Clarendon
Damrosch, Leopold, J. / 1985 / God's Plots and Man's Stories: Studies in the Fictional Imagination from Milton to Fielding / U of Chicago P
Defoe, Daniel / 1970 / Moll Flanders / Crowell
Defoe, Daniel / 1971 / A Tour Through the Whole Island of Great Britain / Penguin
Doody, Margaret A / 1974 / A Natural Passion: A Study of the Novels of Samuel Richardson / Clarendon
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