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학술저널
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한국제임스조이스학회 제임스조이스 저널 제임스조이스 저널 제9권 제1호
발행연도
2003.1
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193 - 217 (25page)

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The Extension of Meaning: From Mrs. Dallowayto the Two Versions of The Hours Jung Kim The Hours was Virginia Woolf’s working title for what later became Mrs Dalloway. Sixty years after her death, an American author Michael Cunningham brought back his title and even the author in his novel, The Hours. Cunningham incorporates every facet of Woolf’s novel and life, patterning his theme as variations on Woolf’s Mrs. Dalloway. His novel has three strands, each tracing a day in the life of a woman: Virginia Woolf in 1925, Clarissa Vaughn in 1990’s, Laura Brown in 1949. The lives of the three women in The Hours are singularly determined by Virginia Woolf’s decisions in her novel and the relationship between the two novels goes beyond that of allusion, and even beyond the borrowing of previous literary structures.This paper examines how Cunningham reinstates the lasting significance of Virginia Woolf as an author into his novel, not only using it as the source of his inspiration, but also creating the effect of “literary symbiosis” for both his and Woolf’s novels. By defining “literary symbiosis” as a specifically postmodern phenomenon in which meaning in the prior text is affected and highlighted by its hypertext, I argue that Cunningham’s extension of meaning in Mrs. Dalloway into The Hours produces revived interest as well as new possible interpretations of Mrs. Dalloway. Furthermore, Cunningham’s work of extension provokes a wider extension of meaning, as his novel has been recently filmed. What makes this proliferation of meanings in Mrs Dalloway possible, in my opinion, is the “plastic incompleteness” embedded in Woolf’s novel, the “plastic incompleteness” inherited by Cunningham.

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