메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국근대영미소설학회 근대영미소설 근대영미소설 제25권 제3호
발행연도
2018.1
수록면
117 - 134 (18page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
In this paper, I offer a feminist reading of Jane Austen’s short epistolary novel Lady Susan and its 2016 film adaptation directed by Whit Stillman. Both book and film focus on the successful remarriage of a manipulative 35-year-old widow, Lady Susan Vernon, and on her urgency to marry off her daughter, Frederica. In his adaptation, Stillman emphasizes the feminist perspective that is implied in the book, portraying Lady Susan as a selfish devil who, in spite of deceiving the people around her, is justified in many ways. In order to sympathize with Lady Susan, Stillman believes that it is important to emphasize her identity as a poor widow who tries to survive by using her beauty and attraction to challenge conservative nineteenth-century British society. In addition, the men she manipulates are portrayed more foolish than in the novel. Unlike Austen’s Lady Susan who manages to evade near­ruin, her Hollywood counterpart enjoys a bigger victory, marrying Sir James and successfully matching her daughter with Reginald De Courcy. As a result, in a film produced about 220 years after the book’s publication, Lady Susan succeeds in a way that Austen may have wanted but dared not depict, thus making the film the most innovative feminist film adaptation of Austen yet. Regrettably, the film sacrifices some of Austen’s charm, which comes from her use of dramatic irony, but its feminist message makes up for it.

목차

등록된 정보가 없습니다.

참고문헌 (34)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0