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자료유형
학술저널
저자정보
박하정 (원광대학교)
저널정보
한국근대영미소설학회 근대영미소설 근대영미소설 제27권 제3호
발행연도
2020.1
수록면
55 - 75 (21page)

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This essay examines popular culture’s rewriting of Jane Austen’s Pride and Prejudice by drawing attention to the modern reader’s time travel in the 2008 ITV miniseries Lost in Austen. Lost in Austen features an Austen devotee, Amanda Price, who is dissatisfied with her work and love life and habitually escapes into the genteel world of Regency England by re-reading her favorite novel Pride and Prejudice. While Elizabeth Bennet, Austen’s heroine, first visits Amanda’s London flat, Amanda’s aspirations for the ideal Regency world are the “key” that opens the magical door to Regency Longbourn. The drama series shows how an Austen reader becomes an author rewriting Austen’s novel when she enters into the world of Pride and Prejudice and engages with the metafictive situation of living with Austen’s characters. If characters in person show their reality, telling stories slightly different from those described in the novel, Amanda’s presence alters the reality of the original story. The all-knowing reader eventually fails when she is rigid about the original text and insists on moving along to the “authoritative” plot. In the end, Amanda learns to regard those characters as real people with a life and accept changes to their stories. Exploring the relationships between the original and reinventing and between the past and the present, Lost in Austen ultimately offers a new insight for the future project of Austen rewriting.

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