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사회과학 일반 경영학 관광학 교육학 군사학 문헌정보학 법학 사회학 신문방송학 심리과학 정치외교학 지리학 행정학 경제학 무역학 인류학 기타 사회과학
자연과학
자연과학 일반 물리학 생물학 생활과학 수학·통계학 천문학 지구과학 화학 기타 자연과학
공학
공학 일반 건축공학 기계공학 산업공학 재료·에너지공학 전기전자공학 조선해양공학 화학공학 컴퓨터학 기타공학
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복합학
학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
대한무용학회 대한무용학회논문집 대한무용학회논문집 제58권 제58호
발행연도
2009.1
수록면
93 - 122 (30page)

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This study was to understand the characteristics and its meanings of Nijinsky’s movements, <L’Apres-midi d’un Faune(Afternoon of the Faun)> and <Le Sacred u printemps(The Rite of Spring)>, and interpret and evaluate the meanings in patterns of Nijinsky’s movements through observing reciprocal relationship between the pattern of his movements and the cultural pattern in general. A framework for the analysis of his movements were composed of Horst, L. & Russel, C.’s theory of the modern dance forms, Francois Delsarte’s theory of the body expression, and Rudolf Von Laban’s analysis of movement. Based on the analysis, the characteristics and the meanings of Nijinsky’s movements were as follows: In aspect of form, his dance showed Primitivism, an artistic form of the Archaic and Medievalism; In aspect of body expression, the dance expressed erotic and ecstasy movements which emphasizes physical parts of the body; In aspect of movement, the dance presented Even and Accent phrases, Impactive and Impulsive phrases; In aspect of dance composition, dance presented the repetitive movements in the straight line or the round form which were intense, exciting and dramatic. As presented above with several aspects, while observing reciprocal relationships, the peculiar patterns of Nijinsky’s movement not only showed Dionysian sensuality and self-effacement through an intentional expression of ecstasy and catharsis in dance, but also expressed Apollonian mentality which produces a form of modern dance, the Primitivism, systematically and theoretically. Thus, Nijinsky attained ingenuous communication with his spectators of those days as a result of his attempt to develop peculiar choreography with new movements of Primitivism and intelligible stage management. The meanings and significances of his artistic creation can be shown in several ways. Firstly, Nijinsky initiated a novel and liberal form of communication for audiences of the past and the present time through developing instinctively understandable movement by medium of men’s body and creating forms of modern dance, which express his intention and individualism, with innovative ideas. Secondly, he provided esthetical experiences to audiences of the present time because, in his peculiar patterns of movement, the physical beauty of the sensuality and ecstasy was impressed as a significant movement-code of a century. Thirdly, Nijinsky’s distinctive expression of ideology and esthetic system through Dionysian sensuality with ecstasy and Apollonian mentality made a substantial impact on audiences of modern times. Lastly, his artistic creation is expected to have a broader significance as a cultural code representative of the current society, and to be the underlying basis of inter-disciplinary studies and the essence of inter-art creation.
#Vaslav Nijinsky #& #lt #L'Apres-midi d'un Faune #Afternoon of the Faun)& #gt #& #lt #Le Sacre du printemps #The Rite of Spring)& #gt #modern dance forms #physical expression #Laban movement analysis #patterns of movement #Dionysus and Apollo #patterns of culture

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참고문헌 (28)

참고문헌 신청
/ / Choreography by Vaslav Nijinsky google schola / / Le Sacre du printemps(The Rite of Spring) Part 1~3 google schola / / Music by Claude Debussy, Design by Leon Bakst, Paris Dances Diaghilev/The Paris Opera Ballet, Teldec/Electra International Classics google schola / / Music by Igor Stravinsky, Senario by Igor Stravinsky and Nicholas Noerich, Decor and Costumes by Nicholas Noerich, Reconstruction by Robert Joffrey, Reconstructed and Staged by Mi google schola / / http://kr.youtube.com/watch?v=mK64sTi4mKc&feature=related

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