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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2020.1
- 수록면
- 111 - 127 (17page)
- DOI
- 10.17548/ksaf.2020.01.30.111
이용수
초록· 키워드
오류제보하기
Chinese lacquer painting, a new immerged painting and originated from ancient Chinese lacquer art, belongs to one of painting categories of Chinese art. It created a precedent on how the outstanding Chinese traditional art transfers to expressive art of painting, and complemented the current situation of the shortage of Chinese art in art education of China.
Summarized and analyzed the development of Chinese lacquer painting and its artistic expression amid through visiting lacquer painting exhibition, investigating area of lacquer painting creation, interviewing with artist group and consulting document, Chinese lacquer painting has gradually developed from a singular decorative and concrete painting into a diversified painting. Meantime, on the basis of traditional lacquer art, it continuously draws lessons from and integrates itself into western art culture. Artistic expression on Chinese lacquer painting has made its new breakthrough on each stage. The creation of lacquer painting attaches more and more importance on artistic, ideological and spiritual expression of the work. As an independent aesthetic object, Chinese lacquer painting belongs to domain of pure art. It is painting, not some kind of utensils, which means it should carry with more spiritual content. Painting must be created in the pace of the era, so does the lacquer painting.
Compared with other categories in Chinese painting art, lacquer painting is pretty much young. It has a short development, and for a long time, it puts more efforts on the development of artistic expression. It neglects the establishment and improvement of the theory system of itself and lacks analysis and thinking of lacquer art theory, which caused weak in guidance for development lacquer painting. This paper is aiming to improve and complement art theory of Chinese lacquer and play a vital role in theoretical guidance and reference for the future development of lacquer painting in a more proper way, and it hopes that Chinese lacquer painting can stand still and move forward quickly and steadily. It is now the best moment and great opportunity for Chinese lacquer painting to develop, but it is unavoidable that Chinese lacquer painting will be impacted by the industrialization trend and the strong tide of market. Both influenced by market and other interest groups, the development of lacquer painting art still has a long way to go.
Summarized and analyzed the development of Chinese lacquer painting and its artistic expression amid through visiting lacquer painting exhibition, investigating area of lacquer painting creation, interviewing with artist group and consulting document, Chinese lacquer painting has gradually developed from a singular decorative and concrete painting into a diversified painting. Meantime, on the basis of traditional lacquer art, it continuously draws lessons from and integrates itself into western art culture. Artistic expression on Chinese lacquer painting has made its new breakthrough on each stage. The creation of lacquer painting attaches more and more importance on artistic, ideological and spiritual expression of the work. As an independent aesthetic object, Chinese lacquer painting belongs to domain of pure art. It is painting, not some kind of utensils, which means it should carry with more spiritual content. Painting must be created in the pace of the era, so does the lacquer painting.
Compared with other categories in Chinese painting art, lacquer painting is pretty much young. It has a short development, and for a long time, it puts more efforts on the development of artistic expression. It neglects the establishment and improvement of the theory system of itself and lacks analysis and thinking of lacquer art theory, which caused weak in guidance for development lacquer painting. This paper is aiming to improve and complement art theory of Chinese lacquer and play a vital role in theoretical guidance and reference for the future development of lacquer painting in a more proper way, and it hopes that Chinese lacquer painting can stand still and move forward quickly and steadily. It is now the best moment and great opportunity for Chinese lacquer painting to develop, but it is unavoidable that Chinese lacquer painting will be impacted by the industrialization trend and the strong tide of market. Both influenced by market and other interest groups, the development of lacquer painting art still has a long way to go.
목차
Abstract
摘要
I. 緒論
II. 中国古代漆艺发展概述
III. 中國漆畫發展簡介
IV. 中國漆畫的藝術性表現類型及特征
V. 中國漆畫與中國現代繪畫藝術性表現分析
IV. 結論
Reference
참고문헌 (25)
참고문헌 신청
Chang Bei / 2014 / The historical process of Chinese modern lacquer painting and the current predicament / Art :108
Cross-Lake Bridge Eight Thousand Years Paintbrush and Contemporary Lacquer Art Exhibition Chinese Lacquer Art Context
Chen Lv Sheng / 2014 / Marketization restricts the development of Chinese painting / New Express
Chen Qin Qun / Oriental paint artist Tang Mingxiu:freedom in vertical space
Chinese Traditional Lacquerware Culture Network
Cross-Lake Bridge Eight Thousand Years Paintbrush and Contemporary Lacquer Art Exhibition Chinese Lacquer Art Context
Chen Lv Sheng / 2014 / Marketization restricts the development of Chinese painting / New Express
Chen Qin Qun / Oriental paint artist Tang Mingxiu:freedom in vertical space
Chinese Traditional Lacquerware Culture Network
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