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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2020.2
- 수록면
- 134 - 146 (13page)
- DOI
- 10.14774/JKIID.2020.29.1.134
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초록· 키워드
오류제보하기
The purpose of this study is to analyze Min Woo-sik’s working method that strongly reveals the decoded expression characteristics. He focuses on ‘formal aesthetics’ that contemporary architects intentionally avoid, revealing his own characteristics. However, there is a distinction between postmodern, deconstructive architecture, and paper architecture that have been issues in the past. Therefore, this study focuses on the following aspects by symptomatic reading. Min Woo-sik’s work is not human-centered, but architecture itself is the subject and constitutes the world of abyss. He creates aesthetics of architectural forms through the physicalization of architecture, which consists of the physical elements of architecture. This is expressed in his constructive sense logic.
This study attempts to clarify these characteristics by decoded representational characteristics in Lacan’s theory of psy choanaly sis and Merleau Ponty ’s theory of flesh and Deleuz e’s Francis Bacon painting. From then on, Min Woo-sik summarized the main characteristics of the interpretation of works as the creation of new architectural formal logic based on the prim itive and deceptive setting mentioned by the desire and impulse of architectural flesh. As a result, I reconstructed Lacan’s transition, sublimation, concept of violation, and Merleau Ponty’s theory and Deleuze’s theory of color painting. The decoded expression characteristics of Min Woo-sik’s architecture derived from these are as follows. Min Woo-sik attempts his own inhuman constructing attitude away from the architectural codes that are leveling with human-oriented architecture in the information age. His work indulges architectural reality in the primitive and m em ory of architecture. At the same time, the desire and impulse to become the fundamental body of architecture are constructed in violation of human-centered architecture. From this he reorganized the actual indulgence of the architectural body in the way of the decode, expressing a new possibility of the structure of architectural desire.
This study attempts to clarify these characteristics by decoded representational characteristics in Lacan’s theory of psy choanaly sis and Merleau Ponty ’s theory of flesh and Deleuz e’s Francis Bacon painting. From then on, Min Woo-sik summarized the main characteristics of the interpretation of works as the creation of new architectural formal logic based on the prim itive and deceptive setting mentioned by the desire and impulse of architectural flesh. As a result, I reconstructed Lacan’s transition, sublimation, concept of violation, and Merleau Ponty’s theory and Deleuze’s theory of color painting. The decoded expression characteristics of Min Woo-sik’s architecture derived from these are as follows. Min Woo-sik attempts his own inhuman constructing attitude away from the architectural codes that are leveling with human-oriented architecture in the information age. His work indulges architectural reality in the primitive and m em ory of architecture. At the same time, the desire and impulse to become the fundamental body of architecture are constructed in violation of human-centered architecture. From this he reorganized the actual indulgence of the architectural body in the way of the decode, expressing a new possibility of the structure of architectural desire.
목차
Abstract
1. 서론
2. 건축디자인의 욕망구조
3. 민우식의 건축적 살과 욕망의 구조화
4. 건축적 살의 탈코드 표현특성
5. 결론 및 제언
참고문헌
참고문헌 (16)
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UCI(KEPA) : I410-ECN-0101-2020-619-000452249