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자료유형
학술저널
저자정보
저널정보
한국근대영미소설학회 근대영미소설 근대영미소설 제26권 제3호
발행연도
2019.1
수록면
55 - 75 (21page)

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Richard Wright’s Native Son has long been read as a representative work of African-American protest writings, and the paradigms through which Bigger Thomas has been presented as a social symbol of racial anger, or as a prototype of the revolutionary black hero, seem to limit the possibilities of reading the novel otherwise. This paper attempts to find the meaning of Wright’s novel not in Bigger’s revolt and his clenched militancy toward whites, as many critics have insisted, but in the human solidarity that Bigger has established with Jan Erlone, despite the murderer-victim relation and more importantly, despite a long history of racial hostility between the black man and the white man. I look closely into the three pivotal encounters between Bigger and Jan as described in each section. The examination will show that Bigger’s acceptance of Jan’s friendship at the end of the novel is not an unmotivated or improvised event prompted by the self-abandoned murderer waiting to be executed and the devout Communist who is capable of suppressing personal grief for a higher ideological cause, but a product thoroughly ‘earned’ by Bigger and Jan going through sufficient conflicts, conversion, and growth.

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