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자료유형
학술저널
저자정보
Thomas N. Corns (Bangor University)
저널정보
한국영어영문학회 영어영문학 영어영문학 제62권 제1호
발행연도
2016.1
수록면
55 - 67 (13page)

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When William, Prince of Orange (and future King of England, Scotland, and Ireland), landed his army at Torbay in the West of England on 5 November, 1688, some two hundred miles from London, among the usual materiel of war brought by the Dutch was a less usual piece of equipment: a printing press. The incident well illustrates the initiating moment of how widely was understood the domination of London over the principal media resources of England. Before 1642, English literary culture had become to a high degree centred on the metropolis of London and its adjacent royal court. As hostilities between king and parliament developed, that culture was considerably decentred. Coterie poetry migrated to print distribution. The experiences of Robert Herrick are particularly illuminating. Radical groups and individuals articulated a new cultural idiom from a geographical and symbolic periphery. But the hegemony of the centre was still sometimes resisted, predictably as in the case of John Bunyan, much less predictably in the case of the generally metropolitan figure of John Milton in his Paradise Regained . In fact, the study of the material circumstances of literary production have primarily focussed on economic and social aspects, but the topographical had a vital role, too, in explaining the complexities of the seventeenth century. The topographical distinctions and conflicts, between the centre and the periphery, inform the symbolic universe of at least some major writings from the Restoration period, as the periphery writes back.

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