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Nathaniel Hawthorne, descendant of Puritan colonialists and member of the New England community chiefly conditioned by the Puritan heritage, was particularly obsessed with the nature and effects of sin. One of his famous short stories, “Young Goodman Brown” effectively dramatizes the neurosis resulting from committing a sin. The story has an “everyman” atmosphere, which makes Goodman Brown, with his common name, symbolic of mankind. Since the Puritan setting is basic to the story, we can expect that a variety of its thematic patterns derive from traditional Christian concepts. In addition to diverse notions of theme, other ambivalences such as alternative possibilities and multiple choices ultimately make its meanings indefinite and elusive so that it can be commonly acclaimed as one of Hawthorne’s most intriguing tales. The story whose framework seems to be quite simple is actually too complex with a lot of questions. Is Brown’s experience in the forest a dream or a reality? Does Brown lose his faith or not? Do Faith and other respectable people of Salem participate at the witches’ Sabbath? Hawthorne seems to purposely avoid answering such questions, which suggests that it is futile to examine the facts of the narrative to determine the meaning of the story.
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참고문헌 (25)
참고문헌 신청
Abel, Darrel / 1988 / The Moral Picturesque: Studies in Hawthorne’s Fiction / Purdue UP
Adams, Richard P / 1968 / Nathaniel Hawthorne: Young Goodman Brown / Charles E. Merrill :54~62
Bromwich, David / 2005 / Nathaniel Hawthorne’s Young Goodman Brown / Chelsea House :135~160
Colacurcio, Michael J. / 1993 / New Essays on Hawthorne’s Major Tales / Cambridge UP :37~66
Eberwein, Jane Donahue / 2005 / Nathaniel Hawthorne’s Young Goodman Brown / Chelsea :19~31
Adams, Richard P / 1968 / Nathaniel Hawthorne: Young Goodman Brown / Charles E. Merrill :54~62
Bromwich, David / 2005 / Nathaniel Hawthorne’s Young Goodman Brown / Chelsea House :135~160
Colacurcio, Michael J. / 1993 / New Essays on Hawthorne’s Major Tales / Cambridge UP :37~66
Eberwein, Jane Donahue / 2005 / Nathaniel Hawthorne’s Young Goodman Brown / Chelsea :19~31
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