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논문 기본 정보

자료유형
학술저널
저자정보
손일수 (한국외국어대학교 외국문학연구소)
저널정보
한국현대영미소설학회 현대영미소설 현대영미소설 제25권 제1호
발행연도
2018.1
수록면
77 - 105 (29page)

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This essay analyzes Kazuo Ishiguro’s novel Never Let Me Go (2005) in the generic tradition of the school story. The plot of the novel centers upon an unrealistic situation, that is, clones’ experience in the schools specialized for their education. As a result, scholars have yet to investigate it as a development, or parody, of the school story, a genre that met its heyday in the mid- to late nineteenth century. This essay posits that reading the novel as a response to the tradition of the genre will enhance the understanding of both Ishiguro’s novel and the genre itself with particular regard to how school experience formulates distinct class subjectivities according to their particular social obligation. Thomas Hughes’s Tom Brown’s Schooldays (1857)—undoubtedly a pioneering novel of its kind—serves as a measure of comparison and manifests typical values and ideological aims of the genre. The comparative study of the two novels illustrates two types of students’ subject-formation, each of which includes a distinct relation to prohibition and historical continuity. Never Let Me Go, unrealistic as its setting may be, suggests that it is by deploying customized educations for differentiated social classes that a ruling-ideology reproduces hierarchical social relations most successfully. Read in comparison with Tom Brown’s Schooldays, Ishiguro’s novel uncovers hitherto less explored ideological workings of the school and the school story. Ultimately, the comparative study of this essay suggests a methodology to trace nineteenth-century literary legacies in contemporary fiction.

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