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This paper was to examine how the movie text accommodated and represented the transnational migration of ethnic Koreans living in China facing at multiple impossibility. First, as recently the migration of ethnic Koreans living in China being connected from remote regions to other remote regions presented in violent gangster movie practice, the knock-on imaginary structure connecting China-Yanbian- poverty-violence contributes to the production of negative images about ethnic Koreans living in China and their space. Second, the discourse on issues of ethnic Koreans living in China, who are the familiar and also unfamiliar others to us coming in our society, has spread the discourse of exclusion and deportation rather than revealing hospitality for others, in which the device of rumor worked very effectively. The production and circulation of this kind of rumor present that today our country takes a stand of post nation-state superficially, but internally still solidifies the boundary inside a nation-state. Third and finally, nevertheless, these circumstances in the risk of deportation of ethnic Koreans living in China lead to their own imagination, by which the planning of the solidarity with unfamiliar others and the competence being able to generate new communities are possible. However, as this imagination zone is possible only in the world of innocent pure love or the space of death, paradoxically it emphasizes how difficult those solidarity is. Likewise, the representation of ethnic Koreans living in China being reproduced expansively in Korean movies doesn’t suggest post-modern nomadic imagination, but discloses its fabrication.
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