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논문 기본 정보

자료유형
학술저널
저자정보
윤민우 (연세대)
저널정보
한국동서비교문학학회 동서비교문학저널 동서비교문학저널 제58호
발행연도
2021.12
수록면
199 - 227 (29page)
DOI
10.29324/jewcl.2021.12.58.199

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초록· 키워드

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The foot often symbolizes the limitation of human beings as soil or body; at the same time, it functions as the stepping board for them to transcend it. There are, however, dances in which the foot is allowed to absorb the power of the soil, thereby the power of life in human being can be rediscovered through the foot. This essay explores aspects and implications of the relationship between landing and leaping of the foot. 1) The foot in the ballet in Romanticism and a Buddhist dance avoids its touch of earth, aiming at ascending to the sky. 2) In contrast, the foot in the traditional Korean mask dance stays with earth. Even the jump in the dance is a means of landing more firmly. Likewise, in The Story about Boseunbal by Kiwan Paik the political power of common people is symbolized by the protagonist’s foot as a revolutionary impact. Hanki Choi, a scholar in Korean positive philosophical school, would say that these movements of the foot represent ‘shin-ki’ in one’s body. 3) In A Story of the Foot by Le Clézio, the pregnant protagonist deserted by her boy friend overcomes the crisis of utter despair only by exchanging through foot and toes the power of life with the baby in the womb. This third category of example has little to do with flight or transcendence of the foot in the ballet. Although the story can never be detached from Hanki Choi’s philosophy on the spirit of the body and the vigor of the foot, it is distanced from Shamanism and communal political engagement in Korean mask dance and Kiwan Paik’s novel. The vitality of the foot in A Story of the Foot actively testifies and upholds the tenacity of love and life in an individual.

목차

Ⅰ. 머리말
Ⅱ. 발레와 토슈즈
Ⅲ.i 백기완, 『버선발 이야기』와 발의 타격
Ⅲ.ii 탈춤과 발의 신기(神氣)
Ⅳ. 상승과 중력: 제임스 디키의 「도약」
Ⅴ. 르 글레지오, 발 이야기와 발의 생명력
Ⅵ. 맺음말
Works Cited
Abstract

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