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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한국역사연구회 역사와현실 역사와 현실 제126호
- 발행연도
- 2022.12
- 수록면
- 289 - 325 (37page)
- DOI
- 10.35865/YWH.2022.12.126.289
이용수
초록· 키워드
오류제보하기
The cultural image of a region should be discussed through several categories: the time, the area, and people who enjoyed it. After the capital of Joseon was established at Han’yang, Songdo(the Gaeseong city today) came to harbor a variety of images and identities, as the status of the region and the nature of the residents continued to shift and evolve over time.
Songdo in the 15<SUP>th</SUP> century was the late capital of the vanished Goryeo dynasty, and was only remembered as such. Then in the 16th century it was newly perceived, sometimes as a region symbolizing loyalty and historical lessons, while sometimes as a place for elegant life and entertainment. Throughout the entirety of the Joseon period, Songdo continued to be perceived as a place that boasted beautiful nature and great historical vestiges, but it was also deemed as a place that no longer bore any social relevance and left only with remnants of past glory. Also, aside from such dual identity, the region was famous for its commercial activities as well.
Earlier in the Joseon society, there was the concept of “Songdo Samjeol,” which literally meant the “Three Excellent Things of Songdo” and referred to Seo Gyeong-deok, Hwang Jin-ih and the Pag’yeon Fall. The concept was heralded as a symbol to elegant life. Then coming into the 17<SUP>th</SUP> century, an entirely different kind of “Songdo Samjeol” surfaced within the literary community, counting “Cha Cheon-ro’s poems, Choi Rib’s writings, and Han Ho’s calligraphy” as the new three sights to see. This new version of the concept was a boast of the extraordinary talents of the Songdo region’s literary figures, and was widely acknowledged amongst literary writers in the field of diplomacy and public works.
This kind of notion, tied with the image of declining Songdo, resonated with people in handicapped conditions, who managed to serve the country with their talents but ended up feeling frustrated for never being properly rewarded. Such notion, based on the 17th century literary writers faith in literature and pride in their own works, eventually provided the Songdo region with another image: the home of superior talents, duly recognized and honored with eternal reputation.
Songdo in the 15<SUP>th</SUP> century was the late capital of the vanished Goryeo dynasty, and was only remembered as such. Then in the 16th century it was newly perceived, sometimes as a region symbolizing loyalty and historical lessons, while sometimes as a place for elegant life and entertainment. Throughout the entirety of the Joseon period, Songdo continued to be perceived as a place that boasted beautiful nature and great historical vestiges, but it was also deemed as a place that no longer bore any social relevance and left only with remnants of past glory. Also, aside from such dual identity, the region was famous for its commercial activities as well.
Earlier in the Joseon society, there was the concept of “Songdo Samjeol,” which literally meant the “Three Excellent Things of Songdo” and referred to Seo Gyeong-deok, Hwang Jin-ih and the Pag’yeon Fall. The concept was heralded as a symbol to elegant life. Then coming into the 17<SUP>th</SUP> century, an entirely different kind of “Songdo Samjeol” surfaced within the literary community, counting “Cha Cheon-ro’s poems, Choi Rib’s writings, and Han Ho’s calligraphy” as the new three sights to see. This new version of the concept was a boast of the extraordinary talents of the Songdo region’s literary figures, and was widely acknowledged amongst literary writers in the field of diplomacy and public works.
This kind of notion, tied with the image of declining Songdo, resonated with people in handicapped conditions, who managed to serve the country with their talents but ended up feeling frustrated for never being properly rewarded. Such notion, based on the 17th century literary writers faith in literature and pride in their own works, eventually provided the Songdo region with another image: the home of superior talents, duly recognized and honored with eternal reputation.
목차
머리말
1. ‘송도삼절’의 유래와 의미
2. 17세기 관료문인의 ‘송도삼절’에 대한 인식
맺음말
참고문헌
Abstract
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