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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 중앙대학교 일본연구소 일본연구 일본연구 제60집
- 발행연도
- 2024.2
- 수록면
- 283 - 301 (19page)
- DOI
- 10.20404/jscau.2024.02.60.283
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초록· 키워드
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Before 1830, Hiroshige studied classics such as the Kano school, the Shijo school, and Western-style painting, with an eye toward Hokusai, and then gradually attempted to switch to a gentle Japanese style of brushwork. He subsequently developed his tendency to translate his sensitivity to changes in nature and climate into lyrical paintings of famous places, which began to receive positive reviews from the public. Ichiyusai’s Famous Places in the Eastern Capital series led him to acquire a new style of landscape print-making. Furthermore, the lyrical images of rain, snow, and fog in the Hoeido version of the Fifty-Three Stations of the Tokaido series, which are reminiscent of the shogunate’s dedication to horses, were well received by the public. The excellent print processing techniques that he demonstrated in the famous place paintings he subsequently published solidified his position as an ukiyo-e landscape painter.
The Ryogoku Evening Moon from Famous Places in the Eastern Capital and the Shower at Ohashi Atake from One Hundred Famous Views of Edo, created in 1856 at the end of Hiroshige’s life, influenced impressionist painters such as James Whistler and Vincent Van Gogh.
The Ryogoku Evening Moon from Famous Places in the Eastern Capital and the Shower at Ohashi Atake from One Hundred Famous Views of Edo, created in 1856 at the end of Hiroshige’s life, influenced impressionist painters such as James Whistler and Vincent Van Gogh.
목차
1. 서론
2. 히로시게의 화단데뷔와 습작기 작품
3. 히로시게의 메이쇼에
4. 히로시게와 인상파 화가
5. 결론
参考文献
Abstract
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