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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2006.8
- 수록면
- 101 - 128 (28page)
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The purpose of this paper is to explore three female playwrights' plays and analyze how they represent war and women. In the conventionally male-oriented writing, war and women have been regarded as an uncomfortable match under war-violence and they were erased or marginalized within the narrative. Especially, women's injured bodies have been considered as the unspeakable matter. These three playwrights use performative writing style to perform un-represented image to portray what happened to them during the war. The words in the narrative do not explain but show the un-represented image of female characters' experiences engaged in war. Muzinsky and Pollack's performative writing theory are useful tool to develop the subject of "performing un-represented image in Muller's Hotel Splendid, Kane's Blasted, and Churchill's Far Away.
Muller's Hotel Splendid focuses on 'Korean military comfort women', the sex-slaves during the Second World War. The characters' poetic language leads the audience into a process of searching, hearing, seeing, realizing, finding, transforming and understanding about their experience. Within this process characters enable themselves to relocate their subjectivity in the history. In Blasted, Kane enlarges the un-represented image of war violence in three character's relationship, Ian, Kate and Soldier. Juxtaposing Ian's disintegrating masculinity with Kate's solidating female subjectivity, Kane surpasses the former representation of war and women. In Far Away, Churchill turns the direction to speak to the female subjects. In an allegorical or metaphoric way, she troubles the audience's understanding about war and challenges it.
Eventually, three female playwrights succeed in performing the un-represented image behind war. The performative narrative portrays a spatial map and relocates female subjectivity which have been hidden, suppressed and marginalized into the center of history. With this the theatre accomplishes its social function in a strategic way to invoke the un-represented image of war and women.
Muller's Hotel Splendid focuses on 'Korean military comfort women', the sex-slaves during the Second World War. The characters' poetic language leads the audience into a process of searching, hearing, seeing, realizing, finding, transforming and understanding about their experience. Within this process characters enable themselves to relocate their subjectivity in the history. In Blasted, Kane enlarges the un-represented image of war violence in three character's relationship, Ian, Kate and Soldier. Juxtaposing Ian's disintegrating masculinity with Kate's solidating female subjectivity, Kane surpasses the former representation of war and women. In Far Away, Churchill turns the direction to speak to the female subjects. In an allegorical or metaphoric way, she troubles the audience's understanding about war and challenges it.
Eventually, three female playwrights succeed in performing the un-represented image behind war. The performative narrative portrays a spatial map and relocates female subjectivity which have been hidden, suppressed and marginalized into the center of history. With this the theatre accomplishes its social function in a strategic way to invoke the un-represented image of war and women.
목차
Ⅰ. Introduction
Ⅱ. ‘Speak out internal‘ in Hotel Splendid
Ⅲ. Enacting pain in Blasted
Ⅳ. Historicizing Fear in Far Away
Ⅴ. Conclusion
Works Cited
Abstract
저자소개
참고문헌 (22)
참고문헌 신청
[학술지(정기간행물)] - / 2001 / Caryl Churchill
[학술지(정기간행물)] - / 2003 / Telling feminist tales: Caryl Churchill Feminist Views on the English Stage: Women Playwrights : 18 ~ 36
[학술지(정기간행물)] - / 1975 / How to Do Things with Words
[학술지(정기간행물)] - / 1989 / Walter Benjamin's on Some Motifs in Baudelaire The Problems of Modernity : 122 ~ 140
[학술지(정기간행물)] - / 2003 / History and Violence in British Epic Theatre From Bond and Churchill to Kane and Revenhill 10 : 49 ~ 72
[학술지(정기간행물)] - / 2003 / Telling feminist tales: Caryl Churchill Feminist Views on the English Stage: Women Playwrights : 18 ~ 36
[학술지(정기간행물)] - / 1975 / How to Do Things with Words
[학술지(정기간행물)] - / 1989 / Walter Benjamin's on Some Motifs in Baudelaire The Problems of Modernity : 122 ~ 140
[학술지(정기간행물)] - / 2003 / History and Violence in British Epic Theatre From Bond and Churchill to Kane and Revenhill 10 : 49 ~ 72
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UCI(KEPA) : I410-ECN-0101-2009-842-017449602