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자료유형
학술저널
저자정보
저널정보
고려대학교 아세아문제연구원 아세아연구 아세아연구 통권 114호
발행연도
2003.12
수록면
65 - 91 (27page)

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Both beliefs in the Absolute and pursuit of the ideal world constitute the primitive ideas of human beings who are forced to live in imperfect realities. In Japan these ideas have been called Shinto and have changed since ancient times, repeatedly being integrated and separated within different contexts.
In this article I examine the Norinaga Kokugaku view of Shinto with a focus on the notions of "Kunt and "Michi" in Kojikiden, the work of Motoori Norinaga who provided a comprehensive survey of 18th-century Kokugaku.
In Kojikiden Norinaga raised a question about differences between various concepts that had been imported to Japan through Chinese books and characters and focused on the notions of "Kami", the Transcendent and "Michi", the Genealogy. He also advocated a methodological return to the Japanese cultural tradition.
Norinaga denied that the word "Shimo" had existed and traced its origin back to the work of Sumeraki's Takamikura who had been reigning over through Amatsuhitsugi, initiated by Amaterasuomikami.
In this article I confirm that Norinaga's interpretations of three notions had their origin in his awareness that he needed to construct a new system in which Japan was located in a unity of the real world and the mythical world. In addition, I argue that the logical leap and justification in his awareness make possible a reproduction of modernity even now.
In conclusion, I suggest that the Norinaga Kokugaku view of Shinto is itself the problem which today's Japan has to face from a viewpoint of coexistence and that this also allows a rethinking of our intellectual landscape that has been burdened with the unidentifiable ideal, self-identity between indigenous and foreign ideas.

목차

1. 고쿠가쿠와 신도

2. 미쿠니(御國)와 고코로

3. 구니(國): 신화적 공간 표상

4. 가미: 감정이입의 탄생

5. 미치: 보편 방법론의 대상과 방향

6. 소결: ‘미쿠니고코로‘의 현재성

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