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초록· 키워드
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In 1930s, Seoul is a space where modernity can be experienced by writers, not as a notion but as a substance. As a experimental modernity, it has two influences on literature. One is the occurrence of a new temporality, the other is a self recognition as writer. The occurrence of a new temporality is realized by the present which is made up of the past. In W. Benjamin theory, the past is a conception which can be alive in Jetztzeit(the present). 1930s of Seoul is the time that the accumulation of the modernity can make the real past realized. therefore, now the past isn't what should be denied any more but is what can be newly understood in Jetztzeit(the present). Before this time, the past was contrast to modernity, but now the past is included within modernity. Therefore aesthetic temporal experiment of real modernity is accomplished. In literature, alive experiment of now being perceived become important. The importance of the present experiment is manifested as inner description of an individual or as criticism of contemporaneousness. Although the present experiment is diverged two directioninteriority of an individual and exteriority of contemporaneouness, this two directions are commonly based on the attitude of observation and record.
These attitudes also have a relation with a subject as a moden writer. In Hegel's theory, establishment of subject in modem society, is indicated as very important thing. A modem subject is transformed within respectively divided field. A Self recognition as writer, produce a understanding that only observation and its record make a reality what is literary, A self recogntion as writer is occurred by a writer club for social intercourse, the world of letters. commercial journalism. In case of writer club for social intercourse, this is created by a coffee house which flourished in 19305 Seoul. In literary mode, self recognition as writer and understanding of modem temporality give a importance to a critical essay and an "I" story(私小說).
These attitudes also have a relation with a subject as a moden writer. In Hegel's theory, establishment of subject in modem society, is indicated as very important thing. A modem subject is transformed within respectively divided field. A Self recognition as writer, produce a understanding that only observation and its record make a reality what is literary, A self recogntion as writer is occurred by a writer club for social intercourse, the world of letters. commercial journalism. In case of writer club for social intercourse, this is created by a coffee house which flourished in 19305 Seoul. In literary mode, self recognition as writer and understanding of modem temporality give a importance to a critical essay and an "I" story(私小說).
목차
1. 서론
2. 작가적 자기 인식의 외적 계기들
3. 작가적 주체로서의 관찰과 기록의 양상
4. 결론
참고문헌
ABSTRACT
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