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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
오류제보하기
The 'Digitalized Contents-Creating Project in terms of Archetype Cultural Assets' refers to a task which is currently guided by the Korean Cultural Contents Promotion Center, and designed to include multiple steps. The first step would be, by continuing the efforts of digitalizing certain contents which belong to the realm of archetype cultural assets, providing the public with items which would serve as resources encouraging the public to invoke the imagination and creativity in themselves, qualities that are vital in any kind of cultural contents projects. This kind of step would in essence strengthen the competitiveness of the project. Then the second step would be encouraging the public to indulge themselves in actual creative actions in terms of cultural assets' digitalization, and overseeing the continuous usages and circulations of such products, fashioned in a form of digitalized contents. This step should be considered important because such encouragement would ensure the long-term basis for contents development, and also the establishment of a stable and rich cultural contents market.
The merit of this project, both in social and practical terms, is that this very project would ultimately serve as a core element for a vital cultural infra-structure that would prove not only invaluable but also imperative for the development of an entire cultural contents industry. There is no lucky leap of development in the realm of culture. Nor there is one in the area of cultural industries. A temporary boom might exist, but if such boom were to be transformed into a stable and also lasting one, basic infra-structure must be established, especially in the cultural contents industry. The cultural contents industry that we witness today is basically built upon the accumulation of knowledge and information, and because of that very nature, the task of digitalizing certain contents that contain cultural and traditional assets of Korea is a strongly required one, by all means. This is the biggest meaning that this project could ever harbor.
The task of establishing a basic cultural infra-structure would provide the cultural contents industry with endless supply of items that would inspire creative activities, and therefore hugely contribute to the steady development of the industry itself. Such development would eventually contribute to the flourish of interdisciplinary researches established among human studies and different branches of either academic or applied studies. And these efforts would ultimately serve in enriching the world culture, hopefully on a global scale.
Unfortunately, to fairly view the current situation, the 'Digitalized Contents-Creating Projects in terms of Archetype Cultural Assets' was conceived and launched rather hastily, while academic studies and researches regarding archetype Korean cultural assets have not been sufficiently accumulated. Hence no discernible effects or accomplishments from the project so far. But this is only a temporary delay. The project is still aiming at strengthening the competitiveness of the cultural contents industry, by delivering items that would invoke the people's imagination and creativity, and such efforts should be continued no matter what.
The merit of this project, both in social and practical terms, is that this very project would ultimately serve as a core element for a vital cultural infra-structure that would prove not only invaluable but also imperative for the development of an entire cultural contents industry. There is no lucky leap of development in the realm of culture. Nor there is one in the area of cultural industries. A temporary boom might exist, but if such boom were to be transformed into a stable and also lasting one, basic infra-structure must be established, especially in the cultural contents industry. The cultural contents industry that we witness today is basically built upon the accumulation of knowledge and information, and because of that very nature, the task of digitalizing certain contents that contain cultural and traditional assets of Korea is a strongly required one, by all means. This is the biggest meaning that this project could ever harbor.
The task of establishing a basic cultural infra-structure would provide the cultural contents industry with endless supply of items that would inspire creative activities, and therefore hugely contribute to the steady development of the industry itself. Such development would eventually contribute to the flourish of interdisciplinary researches established among human studies and different branches of either academic or applied studies. And these efforts would ultimately serve in enriching the world culture, hopefully on a global scale.
Unfortunately, to fairly view the current situation, the 'Digitalized Contents-Creating Projects in terms of Archetype Cultural Assets' was conceived and launched rather hastily, while academic studies and researches regarding archetype Korean cultural assets have not been sufficiently accumulated. Hence no discernible effects or accomplishments from the project so far. But this is only a temporary delay. The project is still aiming at strengthening the competitiveness of the cultural contents industry, by delivering items that would invoke the people's imagination and creativity, and such efforts should be continued no matter what.
목차
Ⅰ. 머리말
Ⅱ. 문화인프라 → 문화콘텐츠산업 아카이브의 역할
Ⅲ. 다양한 사회적 효용
Ⅳ. 맺음말
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2009-001-015150210