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학술저널
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19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제2권
발행연도
1999.2
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5 - 23 (19page)

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This article investigates a feature of Tess of the d’Urbervilles which I identify as ‘the potential dynamics’ of a text, a term associated with the work of Mikhail Bakhtin. We notice a centripetal force, which drives a reader towards a unified meaning of the text: the omniscient narrator seems to have the central authority, producing the master-discourse. Tess can be regarded as a female victim, her identity being formed by male visions and voices; she becomes an object of erotic fascination by Angel and Alec, who violate and idealize her, and by the narrator, who observes and purifies her. She is designed and knitted by a malign and entrapping machine which threatens her own individuality.
However, the importance of her passion, desire and sexuality should not be ignored, her passionate and energetic features being traced by many feminists. Unfortunately they frequently fall into the trap of binarism, maintaining a legacy of Western metaphysics. Should her own desires and the intimate life of feminine sensations be revealed, it could be found in the relationship between the trace of the Ur-text and the final text. This dialogue may open a new space in which Tess’s own desire can be explored without relying on a language dominated by father’s rule. Tess was punished by the social rule and law. But fortunately she left ’Liza-Lu behind who may retain drive-related jouissance and threaten to break the symbolic chain.

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