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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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To one who defines his destiny as a poet, the meaning for his existence inevitably lands on a poetic consciousness. This consciousness is a sign of aspiration to survive and at the same time, has a meaning as a result of his life. Time and space can not be separated from each other to a human being. Suppose literature is a part of a life, time and space has a significant meaning. since literary experience is based on them.
Though time and space reveals a different feature in our experience, they need mutual premise. In this respect, this paper especially inquiries into the changing aspects in the poetic consciousness of two contemporary poets, Kim soo-young who showed the will to overcome his reality and Park yong-rae who walked toward traditional lyricism. Through their 'SNOW imagery', in that it shows an aspect of poetic consciousness as the spirit of the times, I chose「SNOW」as the subject of analysis.
First, to Kim soo-yeong, 'SNOW', to put it concretely, 'SNOW imagery' presents a conflict between him and the world, and he shows his will to spread the self into the world, or reality. Consequently, it leads to increasing conflicts among spaces rather than among times. It reveals the internal and external conflicts between SPUTUM and 'SNOW'. And then it turns into the conflicts between upper and lower parts. That is to say, between the space where SNOW stays and the land where reality continues. In his last work, through 'EUNG-A'(a korean onomatope of a crying baby), 'SNOW' is laid upon 'SPECULATION'. In other words, at a middle point, all the conflicts are gone and he shows his true character as a poet to be associated in reality. It is very regrettable that his later poems such as 'The discovery of rhythm' or 'The discovery of love' suddenly discontinued but it goes without saying that he had a great effect on a Korean poetry later.
While Park young-rae shows his emotion and feeling through antagonistic structure and repetition structure. He expressed the conflict between the self and the world through the conflict of time and space or alien land and hometown. These conflicting relationship brings about repetitions of loneliness and nostalgia. His "SNOW IMAGERY" draws a dramatic change in antagonistic structure of time and space and it means he came to be conscious of space perception from time perception that brings about the change of existence. Space perception is circulating and circulation is to recollect the past in view of time and to seek after the lost paradise(native land, rural life).
Space does not be limited to a place where we live. We live not in 'NOW' but in 'HERE'. Accordingly, space perception has a great impact on formation of consciousness. And by looking at space perception, we can find out an individual consciousness. Especially, we can figure out poetic consciousness through poets' space perception. Due to the lack of my ability and limited text, I treated only two poets in this paper with a restricted view.
I look forward to a more complete study later.
Though time and space reveals a different feature in our experience, they need mutual premise. In this respect, this paper especially inquiries into the changing aspects in the poetic consciousness of two contemporary poets, Kim soo-young who showed the will to overcome his reality and Park yong-rae who walked toward traditional lyricism. Through their 'SNOW imagery', in that it shows an aspect of poetic consciousness as the spirit of the times, I chose「SNOW」as the subject of analysis.
First, to Kim soo-yeong, 'SNOW', to put it concretely, 'SNOW imagery' presents a conflict between him and the world, and he shows his will to spread the self into the world, or reality. Consequently, it leads to increasing conflicts among spaces rather than among times. It reveals the internal and external conflicts between SPUTUM and 'SNOW'. And then it turns into the conflicts between upper and lower parts. That is to say, between the space where SNOW stays and the land where reality continues. In his last work, through 'EUNG-A'(a korean onomatope of a crying baby), 'SNOW' is laid upon 'SPECULATION'. In other words, at a middle point, all the conflicts are gone and he shows his true character as a poet to be associated in reality. It is very regrettable that his later poems such as 'The discovery of rhythm' or 'The discovery of love' suddenly discontinued but it goes without saying that he had a great effect on a Korean poetry later.
While Park young-rae shows his emotion and feeling through antagonistic structure and repetition structure. He expressed the conflict between the self and the world through the conflict of time and space or alien land and hometown. These conflicting relationship brings about repetitions of loneliness and nostalgia. His "SNOW IMAGERY" draws a dramatic change in antagonistic structure of time and space and it means he came to be conscious of space perception from time perception that brings about the change of existence. Space perception is circulating and circulation is to recollect the past in view of time and to seek after the lost paradise(native land, rural life).
Space does not be limited to a place where we live. We live not in 'NOW' but in 'HERE'. Accordingly, space perception has a great impact on formation of consciousness. And by looking at space perception, we can find out an individual consciousness. Especially, we can figure out poetic consciousness through poets' space perception. Due to the lack of my ability and limited text, I treated only two poets in this paper with a restricted view.
I look forward to a more complete study later.
목차
Ⅰ. 서론
Ⅱ. 시 의식의 기본요건들 : 시간과 공간
Ⅲ. 직선적 공간 변화와 현실 인식 : 김수영의 ‘눈‘
Ⅳ. 순환적 공간 변화와 회귀 의식 : 박용래의 ‘눈‘
Ⅴ. 결론
참고문헌
Abstract
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