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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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The majority of the Pinter canon includes an unexpected intruder. The intruder figure can be interpreted in many ways. From a Freudian psychoanalytic approach, the intruder may represent a son figure who wants to achieve his unfulfilled oedipal desire in the plays. One can also apply myth criticism with the old king and new king figure. With feminist approach, the woman intruder may attempt to reverse the hierarchy of the patriarchal household.
Even with the various approaches, I still feel that there may be another way of explaining the role of the intruder: the intruder figure may, on some level, be eventually no other than the characters themselves, as their doubles. Here, the confrontation with the double reminds one of the myth of Narcissus. Just as Narcissus looks into his image on the water, the characters see themselves, reflected in the doubles.
The main objective of this paper is to analyze the relationship between the Matchseller who is the intruder and the residents in A Slight Ache from the aspect of the double and narcissism and finally to better understand the seemingly bizarre ending of the play.
In sum, Edward and Flora both have a narcissistic experience through their mirror, the Matchseller. While flora succeeds in transforming the minor image for her own good, Edward fails to grasp the meaning of the mysterious intruder. When he rejects his own image as it is, there is no other way but to be conquered by the overwhelming otherness.
Even with the various approaches, I still feel that there may be another way of explaining the role of the intruder: the intruder figure may, on some level, be eventually no other than the characters themselves, as their doubles. Here, the confrontation with the double reminds one of the myth of Narcissus. Just as Narcissus looks into his image on the water, the characters see themselves, reflected in the doubles.
The main objective of this paper is to analyze the relationship between the Matchseller who is the intruder and the residents in A Slight Ache from the aspect of the double and narcissism and finally to better understand the seemingly bizarre ending of the play.
In sum, Edward and Flora both have a narcissistic experience through their mirror, the Matchseller. While flora succeeds in transforming the minor image for her own good, Edward fails to grasp the meaning of the mysterious intruder. When he rejects his own image as it is, there is no other way but to be conquered by the overwhelming otherness.
목차
Ⅰ. Introduction
Ⅱ. The Psychological Projection
Ⅲ. Looking into the Mirror
Ⅳ. Conclusion
Works Cited
Abstract
참고문헌 (15)
참고문헌 신청
[학술지(정기간행물)] - / 1984 / Conrad and the Narcissistic Metaphysics of Morality A Journal of Joseph Conrad Studies 16 : 103 ~ 24
[학술지(정기간행물)] - / 1983 / The Double in Harold Pinter's A Slight Ache : 383 ~ 90
[학술지(정기간행물)] - / 1971 / .The Dramatic World of Harold Pinter:Its Basis in Ritual
[학술지(정기간행물)] - / 1948 / Death and the Double in Three Plays by Harold Pinter : 131 ~ 45
[학술지(정기간행물)] - / 1971 / Heart of Darkness
[학술지(정기간행물)] - / 1983 / The Double in Harold Pinter's A Slight Ache : 383 ~ 90
[학술지(정기간행물)] - / 1971 / .The Dramatic World of Harold Pinter:Its Basis in Ritual
[학술지(정기간행물)] - / 1948 / Death and the Double in Three Plays by Harold Pinter : 131 ~ 45
[학술지(정기간행물)] - / 1971 / Heart of Darkness
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UCI(KEPA) : I410-ECN-0101-2009-842-015564737