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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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What is called ‘lady of letters’ is the symbol laurels which the atriarchism awards esecially to women writers who accommodate themselves to existing structure. The rhetoric of ‘lady’ connotes not only talent and accomlishment as the author but also class rivilege, culture, chastity, and the faithfulness to gendered labor task such as domestic duties and bringing u children. As the symbol order of language essentially is such, ‘lady of letters’ is a word in binary oosition which is oosed and conflicts to the rebellious women authors from the oint of class or gender and so on. eculiarity of the time of ‘ostwar’ ut ‘lady of letters’ in the location where it redominates over the other in binary oosition of language and suorted it. As the result, the majority of women writers who survived in 50~60’s was ‘lady of letters’. So to seak, ‘lady of letters’ of Korea was the other and roerty which strengthens the authority and narcissism of the contemorary hallic literary world established in national violence network.
However, writing of this ‘lady of letters’, can be read as a kind of text which, although it does not disobey atriarchal social order from the front, often sneers, dissolves, betrays and damages it from the back side or from the deths of it. According to the sincerity of contents of the treachery, accomlishing level as woman literature comes to be high. This might be one evidence which demonstrates that woman’s writing originally cheats the watch of atriarchal logos.
This thesis investigated the texts which were roduced by women writers who accommodate themselves to existing structure but did not serve in reroduction of it. Therefore, the novels of Han Mu-suk and Kang Shin-jae is selected as the inquiry object because they were the very writers for the rhetoric ‘lady of letters’ and their works accomlished regular quality and quantity. These authors reflected themselves unfamiliarly who comromised and survived in atriarchal system by the means of enetrator’s eye or sectator’s eye and disclosed the negative character of atriarchism.
However, writing of this ‘lady of letters’, can be read as a kind of text which, although it does not disobey atriarchal social order from the front, often sneers, dissolves, betrays and damages it from the back side or from the deths of it. According to the sincerity of contents of the treachery, accomlishing level as woman literature comes to be high. This might be one evidence which demonstrates that woman’s writing originally cheats the watch of atriarchal logos.
This thesis investigated the texts which were roduced by women writers who accommodate themselves to existing structure but did not serve in reroduction of it. Therefore, the novels of Han Mu-suk and Kang Shin-jae is selected as the inquiry object because they were the very writers for the rhetoric ‘lady of letters’ and their works accomlished regular quality and quantity. These authors reflected themselves unfamiliarly who comromised and survived in atriarchal system by the means of enetrator’s eye or sectator’s eye and disclosed the negative character of atriarchism.
#규수작가(lady of letters)
#여성문학(woman literature)
#한무숙(Han Mu-suk)
#강신재(Kang Shin-jae)
#전후(postwar)
#50~60년대(From 1950's to 1960's)
#남근중심주의(phallocentrism)
#타자(other)
#자산(property)
#계급특권(class privilege)
#가부장제(patriarchy)
#가부장제 가족(atriarchal family)
#이항대립구조(binary oosition)
#체관의 시선(penetrator's eye)
#좌관의 시선(sectator's eye)
목차
1. ‘규수작가’의 존재방식과 그 의미
2. 한무숙, ‘규방’의 안과 밖을 체관(諦觀)하는 시선
3. 강신재, ‘가부장제 가족’의 안과 밖을 좌관(坐觀)하는 시선
4. 맺음말
참고문헌
저자소개
[Abstract]
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