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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2000.3
- 수록면
- 169 - 193 (25page)
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Shakespeare's tragic world centers on male protagonists, Macbeth, Othello, Hamlet, and Lear. Hamlet, Lear, Macbeth, and Othello are stories about male characters, while female characters are in silence and stasis in the margins. Nonetheless, Lady Macbeth has been compared with male characters until the middle of the play. Then she becomes silent and disappears, too. This Shakespearean tragic world represents a patriarchal male - oriented order to the feminist views. So it needs, in this age, to be de - constructed and re - constructed. Following this, I found Han, rae - Sook's Lady Macbeth as a case of feminine ￢writing and aim to analyze the performance with its text.
Han, Tae - Sook's Lady Macbeth is a visual record of psychotherapy between Lady Macbeth and a doctor. All the events in Shakespeare's Macbeth are reflected in Lady Macbeth's psychology. As a result, we can have a different mirror up to nature. In this, Lady Macbeth is a protagonist for this nature. First of all, Han, Tae - Sook wrote her Lady Macbeth in a feminine style writing, "open, nonlinear, unfinished, fluid, exploded, fragmented, polysemic, attempting to speak the body i.e., the unconscious, involving silence, incorporating the simultaneity of life." We can hear the whole story through her words and can see her body in the center. As a result, Lady Macbeth becomes the center in her story. Especially, Sub, Ju ￢Hee's erotic role of Lady Macbeth that Lady Macbeth is an effective case for women's re - writing decentering the male dominant loci into female words, body and sexuality. Nonetheless, wrea1izes feminine writing covering female sexuality. Here, light, music and objects are used to validate women's re - writing and its representation.
It can not be doubtede face a limit in feminine re - writing in which Lady Macbeth's self - discovery is to admit her evilness which has been repeated through the patriarchal views. Though a different story would not be admitted in this plot, we want to hear, at least in her own words, her protest against the forced roles in and out of this plot, because we know her tragedy is not simply a private one, rather an historical construct among the women.
Han, Tae - Sook's Lady Macbeth is a visual record of psychotherapy between Lady Macbeth and a doctor. All the events in Shakespeare's Macbeth are reflected in Lady Macbeth's psychology. As a result, we can have a different mirror up to nature. In this, Lady Macbeth is a protagonist for this nature. First of all, Han, Tae - Sook wrote her Lady Macbeth in a feminine style writing, "open, nonlinear, unfinished, fluid, exploded, fragmented, polysemic, attempting to speak the body i.e., the unconscious, involving silence, incorporating the simultaneity of life." We can hear the whole story through her words and can see her body in the center. As a result, Lady Macbeth becomes the center in her story. Especially, Sub, Ju ￢Hee's erotic role of Lady Macbeth that Lady Macbeth is an effective case for women's re - writing decentering the male dominant loci into female words, body and sexuality. Nonetheless, wrea1izes feminine writing covering female sexuality. Here, light, music and objects are used to validate women's re - writing and its representation.
It can not be doubtede face a limit in feminine re - writing in which Lady Macbeth's self - discovery is to admit her evilness which has been repeated through the patriarchal views. Though a different story would not be admitted in this plot, we want to hear, at least in her own words, her protest against the forced roles in and out of this plot, because we know her tragedy is not simply a private one, rather an historical construct among the women.
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