지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study named song-literature which is currently created and succeeded in hyper with the hypertext skill, as a song-literature, and take notice that this literature has similar characteristics with folk-song and was purposed to find the possibility as a new genre by proving that song-literature succeeds the tradition of folk-song.
Hypertext song-literature designates all literature of song type which were created and succeeded in the hyper on the basis of features of non-linearity, multi-media and interaction. Firstly, the non-linear structure of hypertext maintained the mobility and co-production through providing the basis for song-literature to operate spontaneously and actively. In addition, the multi-media feature of hypertext is presented in combination of melody, lime and moving picture, so accords with the comprehensive artistry of folk-song. When folk-song is played, it is formed with not only melody and lime, but also motion of creator. Hypertext song-literature revives the realism of folk-song in the multi-media feature of hypertext. And the interaction of hypertext accords with the lamination of folk-song. Interaction designated the giving and receiving between creators and audiences, so in hypertext song-literature, it was realized by appearance of reply ggorimal and other works gakpyun. Other works were developed as that limes in the beginning were changed within same melody and limes were lately in similar melody. This accords with the characteristics that folk-song was laminated by mutating through matching the melody garakmatchugi.
It is limited that this study had not overcome the current trend, but shows the prospect and possibility as a new genre through that traditional folk-song is transferred on the hyper by the development of hypertext skill, so it was fully meaningful. Furtherly, this study supplicate for the development with succeeding tradition as type of culture and expansion a genre on the foundation of more concrete and expanded argumentation.
Hypertext song-literature designates all literature of song type which were created and succeeded in the hyper on the basis of features of non-linearity, multi-media and interaction. Firstly, the non-linear structure of hypertext maintained the mobility and co-production through providing the basis for song-literature to operate spontaneously and actively. In addition, the multi-media feature of hypertext is presented in combination of melody, lime and moving picture, so accords with the comprehensive artistry of folk-song. When folk-song is played, it is formed with not only melody and lime, but also motion of creator. Hypertext song-literature revives the realism of folk-song in the multi-media feature of hypertext. And the interaction of hypertext accords with the lamination of folk-song. Interaction designated the giving and receiving between creators and audiences, so in hypertext song-literature, it was realized by appearance of reply ggorimal and other works gakpyun. Other works were developed as that limes in the beginning were changed within same melody and limes were lately in similar melody. This accords with the characteristics that folk-song was laminated by mutating through matching the melody garakmatchugi.
It is limited that this study had not overcome the current trend, but shows the prospect and possibility as a new genre through that traditional folk-song is transferred on the hyper by the development of hypertext skill, so it was fully meaningful. Furtherly, this study supplicate for the development with succeeding tradition as type of culture and expansion a genre on the foundation of more concrete and expanded argumentation.
목차
Ⅰ. 머리말
Ⅱ. 민요의 유동성ㆍ공동작과 하이퍼텍스트의 비선형성
Ⅲ. 민요의 종합예술적 요소와 하이퍼텍스트의 다매체성
Ⅳ. 민요의 적층성과 하이퍼텍스트의 상호작용성
Ⅴ. 민중 의식의 발현
Ⅵ. 맺는말
〈참고문헌〉
참고문헌 (53)
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UCI(KEPA) : I410-ECN-0101-2009-673-017603738