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The purpose of this study is to analyze the origin, structure and shape of the Yunjangdae(Rotating-sutras-column) at Yongmun-sa Temple. A pair of Yunjangdae are placed inside the Daejang-jeon(Great Sutra Hall) at Yongmun-sa in Yecheon, North Kyeongsang Province of Korea. They are the only remaining example in Korea keeping the traditional structure of Yunjangdae.
Generally, Yunjangdae, which is not mentioned in any sutra, is a wooden structure of sutra-shelves that can be rotated. However, many Buddhists in China, Japan, and in Southeast Asia, as well as in Korea, believed that pushing the Yunjangdae through one complete rotation is equivalent to reading through the whole text of sutra.
According to historical records, the Yunjangdae was invented as a tool of propagating Buddhist teachings during the Liang Dynasty in China and became popular in later Song Dynasty.
The Yunjangdae was brought to Korea during the Goryeo Dynasty at a time of active cultural exchanges between the Song China and Goryeo. They were constructed in a large scale temples during the Goryeo Dunasty, such as the case in Yongmun-sa. The Yunjangdae at Yongmun-sa was built in 1173, and was restored in 1621. But most of the Yunjangdae that were built dunring the Goryeo period were destroyed in a wave of anti-Buddhism policy in early Joseon Dynasty and also during a series of wars in the later Joseon. Only the Yunjangdae at Yongmun-sa remains today.
The most important characteristic of the Yunjangdae is that it consists of a rotating structure with a central column between the base and the roof that acts as a rotating axis. According to experts, the base and rotating axis appear to be the original. The external designs, such as the wooden brackets, guard-rails, and doors were modified with 17th century patterns, in keeping with the original shape. The artist who designed the Yunjangdae at Yongmun-sa seems to have applied the“ yin”(陰)“- yang”(陽) concept in his design. Even though it is small, it seems that the Yunjangdae at Yongmun-sa is an example of a larger architectural construction. It is an excellent work, thanks to its delicate and beautiful details, which follow the design principles of traditional wooden architecture.
The thrust of this research is based mainly on an architectural concept. Further investigation of the Yunjangdae, based on Buddhist texts and practice is needed in the future.
Generally, Yunjangdae, which is not mentioned in any sutra, is a wooden structure of sutra-shelves that can be rotated. However, many Buddhists in China, Japan, and in Southeast Asia, as well as in Korea, believed that pushing the Yunjangdae through one complete rotation is equivalent to reading through the whole text of sutra.
According to historical records, the Yunjangdae was invented as a tool of propagating Buddhist teachings during the Liang Dynasty in China and became popular in later Song Dynasty.
The Yunjangdae was brought to Korea during the Goryeo Dynasty at a time of active cultural exchanges between the Song China and Goryeo. They were constructed in a large scale temples during the Goryeo Dunasty, such as the case in Yongmun-sa. The Yunjangdae at Yongmun-sa was built in 1173, and was restored in 1621. But most of the Yunjangdae that were built dunring the Goryeo period were destroyed in a wave of anti-Buddhism policy in early Joseon Dynasty and also during a series of wars in the later Joseon. Only the Yunjangdae at Yongmun-sa remains today.
The most important characteristic of the Yunjangdae is that it consists of a rotating structure with a central column between the base and the roof that acts as a rotating axis. According to experts, the base and rotating axis appear to be the original. The external designs, such as the wooden brackets, guard-rails, and doors were modified with 17th century patterns, in keeping with the original shape. The artist who designed the Yunjangdae at Yongmun-sa seems to have applied the“ yin”(陰)“- yang”(陽) concept in his design. Even though it is small, it seems that the Yunjangdae at Yongmun-sa is an example of a larger architectural construction. It is an excellent work, thanks to its delicate and beautiful details, which follow the design principles of traditional wooden architecture.
The thrust of this research is based mainly on an architectural concept. Further investigation of the Yunjangdae, based on Buddhist texts and practice is needed in the future.
목차
Ⅰ. 머리말
Ⅱ.龍門寺 輪藏臺의 조성과 연원
Ⅲ. 龍門寺 輪藏臺의 구조와 조형
Ⅳ. 龍門寺 輪藏臺의 조형원리
Ⅴ. 맺음말
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